HAPPY FRIENDSHIP DAY

दोस्ती सिर्फ तब ही नहीं जब फूल हैं
दोस्ती सिर्फ तब ही नहीं जब गले में  हार है
दोस्ती सीखने का कोई advanced स्कूल नहीं है
दोस्ती तो सिर्फ मोहब्बत है और प्यार है
दोस्ती में हम चाहे कुच्छ भी ना बोलें
दोस्ती में गुफ्तगू के ज़रिये हज़ार हैं
दोस्ती के गरम रहते हैं हरदम शोले
दोस्तों  को तो बस अपनी दोस्ती का खुमार है
आज Friendship Day का भी क्या हसीन  दिन है यारो
बारिश का दिन है और आज रविवार है
यानी  जैसे दोनों चंद्रमुखी और पारो
देवदास   पे  मर मिटने  को तैयार हैं
सब मेरे दोस्तों के लिए  लिखता हूँ अभिवादन
ये  sunbyanyname का अहम् इकरार है
सूरज के निकलने  का ना भी बने साधन
रवि  तो तुम पे जाने निसार है
हमारी दोस्ती रहे सलामत आज भी और हमेशा
दोस्तों के बिना जीना दुश्वार है
आज के दिन मेरे सब दोस्तों के नाम ये संदेशा:
आप हैं तो रौशन मेरा संसार है
खुदा  तुम्हें देदे अपनी सारी खुदाई
आपकी दोस्ती पर मुझे ऐतबार है
काश दोस्ती में ना लिखी हो कभी भी जुदाई
जब तक जान पे अपना इख्तियार है
Happy Friendship Day सब दोस्तों और यारो
आज के दिन तो दोस्ती की बहार है
इक नज़र हम पे दोस्ती की मारो
जहाँ तुम हो वहां ही करार है

HINDI SONGS AND THE AGE OF INNOCENCE

Recently, when Rajesh Khanna died, after a long illness, we reminisced about his being a super-star during the Era or Age of Innocence in the Hindi movies. What exactly can be age or era of innocence? One thing is clear that it was an era different from the present era.I am not chronicling the life and movies of Rajesh Khanna. Paeans have been and would be written and sung about his overpowering image in the movies. During the height of his popularity, in 1970, when the movie Aan Milo Sajna was released, there was a duet he sang with Asha Parekh: the duet starts with she (playback by Lata Mangeshkar) declaring, “Achha to hum chalte hain” (Okay, I shall take your leave now) and he (playback by Kishore Kumar) asking: “Phir kab miloge?” (When will I meet you again?). Eligible girls in the movie hall would sing back in unison: “Jab tum kahoge” (Whenever you say). Such was the popularity of Rajesh Khanna.Kaka, as he was affectionately called, is no more and as he seems to sing: ‘Achha to hum chate hain’; we ask him again and again, “Phir kab miloge?”
The article is about the Age of Innocence in the Hindi movies and I shall try to concentrate on three really good actors that we lost in a span of less than one year: Shammi Kapoor just one day prior to the last Independence Day at the age of nearly 80: Dev Anand who left us on 3rd Dec last year, still young at the age of 88; and Rajesh Khanna who left us a fortnight back at the age of 69.Take Rajesh Khanna’s Amar Prem (Immortal Love), for example. It is a 1972 movie directed by Shakti Samant. If it has resonance with eternal love between two ideal lovers, you are wrong; the love depicted in the movie was the innocent love of a man (Rajesh Khanna) for a courtesan (Sharmila Tagore). The movie brings out how our society thrives on pretensions and deception and being judgmental of those who don’t overtly show such pretensions (and covertly embrace decadence).
Anand Bakshi’s lyrics were extremely apt and subtly hard-hitting, eg, “Tu kaun hai tera naam hai kya Sita bhi yahan badnaam hui.”. Rajesh Khanna and Sharmila Tagore both underacted superbly.

The movie had some excellent songs which surprisingly (because these were serious and not lilting) became quite popular. For example, Raina beeti jaaye, shyam na aaye; Ye kya hua, kaise hua, kab hua: Chingaari koi bhadake; and this one which I have selected for you portraying the theme of the movie: Kuchh to log kahenge, logon ka kaam hai kehna(People will find something to say; they always do). The music is by Rahul Dev Burman.

https://youtube.com/watch?v=95UdAo4JdJI%3Ffs%3D1

AGE OF INNOCENCE in the Hindi movies is nostalgically remembered by all of us. At one time in the Hindi movies (before we bastardised them by calling them Bollywood movies) it wasn’t the done thing to be direct about such emotions as Love. Do you remember a very young Sharmila Tagore singing in 1964 movie Kashmir Ki Kali: ‘Muhabbat jo karte hain vo, muhabbat jatate nahin; dhadakane apne dil ki kahin kisi ko sunaate nahin. Maza ka raha jab ke khud kar diya ho muhabbat ka izehaar apni zubaan se?”

Kashmir Ki Kali too was a Shakti Samant movie. Lyrics were by SH Bihari and music by OP Nayyar. A young Shammi Kapoor (son of a rich father) acts opposite a younger Sharmila Tagore (who sells flowers for a living). Hats off to Omkar Prasad Nayyar, born in Lahore on 16 Jan 1926 when Lahore was in undivided India. He started his career in Hindi movies  in 1949 by composing background score for the movie Kaneez. He must be having a record for the highest number of hit songs for any movie that he composed music for, eg, Aar Paar, Tumsa Nahin Dekha, Phir Wohi Dil Laya Hoon, CID, Mr and Mrs 55, Naya Daur, Howrah Bridge,Phagun, Jaali Note, Mere Sanam and Dus Lakh. Meanwhile, enjoy this hit number from Kashmir Ki Kali: Isharon isharon se dil lene waale bata yeh hunr tune seekha kahan se? None of OP Nayyar’s songs were sung by Lata Mangeshkar. This one is a duet between Mohammad Rafi and Lata’s sister Asha Bhosle:

https://youtube.com/watch?v=HxZyRkqo0r0%3Ffs%3D1

Shammi Kapoor was the middle one of the three sons born to Prithviraj Kapoor, the elder one being Raj Kapoor and younger one being Shashi Kapoor. Prithviraj was a leading light of theatre in Calcutta and Shammi Kapoor (born Shamsher Raj Kapoor) had his early education in Calcutta, later moving to Bombay. His playboyish image got honed in movies like Tumsa Nahin Dekha and Dil Deke Dekho. However, he always wanted to do serious roles. His most memorable serious role came in 1970 movie Pagla Kahin Ka where he played a mentally deranged person who by his innocence brought home the contrast that others in society were even more deranged than him. His song in the movie ‘Tum mujhe youn bhula na payoge’ is simply ungorgettable. However, I am presenting to you songs representative of Age of Innocence and I can’t find a better song for Sahmmi Kapoor on this theme than this one from the 1964 movie Brahmachari for which he got his first Filmfare Best Actor award. Of course, two years before his death Shammi Kapoor got the coveted Phalke Legend Actor Award by the Dadasaheb Phalke Academy but Brahmachari award must have been close to his heart. Brahmachari song is representative of the theme of the movie: Shammi Kapoor being an orphan looking after umpteen orphan children against all odds. The great Shailendra got the Best Lyricist award for this song and the incomparable duo of Shankar Jaikishan the best music director for the film. Mohammad Rafi got Filmfare award for another song ‘Dil ke jharokhe se’ but, undoubtedly, the best song in the movie was Main gaaoon tum so jaao:

Lets shift to the great and the ‘youngest’ actor in the Hindi movies Dev Anand. His death at the age of 88 came as a great shock to all of us for the simple reason that we were first expecting him to grow and look old and then only die. Who can ever forget that toothy smile and the becoming way of shaking and tilting one side of his torso whilst looking at you with twinkling eyes? Dev Anand got his first filmfare award for the 1958 movie Kalapani that he produced. This song that Dev Anand enacted opposite the effervescent Madhubala is so innocent both in lyrics and in acting that it really is an anthem for the Age of Innocence. Lyrics are by Majrooh Sultanpuri and music by Sachin Dev Burman; the pair was together in many of Dev Anand movies. Here it is then: Achha ji main haari chalo maan jaayo na:

https://youtube.com/watch?v=g2rFmmdUIbQ%3Ffs%3D1

The 1969 movie Aradhana (worship) presents two roles of Rajesh Khanna, one as Arun in love with Vandana (Sharmila Tagore); he sings a song to her from the adjoining road when she is in a train to Darjeeling reading an Alistair MacLean novel. The song became a superhit song ‘mere sapno ki rani kab aayegi tu’. It was rated as the amongst the ten most songs of Hindi movies. They don’t get married but as a result of their having taken shelter in rain where he seduces her with the song ‘Roop tera mastana’, she becomes pregnant. He is an IAF pilot just like Raj Kapoor in Sangam. However, unlike Raj Kapoor, he is actually killed.

Vandana’s family abandons her and she is forces to work as a nanny for her own son Suraj who is adopted by a childless couple. Vandana is stalked by Shyam (Manmohan) and is nearly raped but her own son Suraj arrives and stabs his uncle to death in order to save her. When the police arrives, Vandana takes the blame upon herself and spends time in the jail whilst Suraj grows into the likeness of his dad Arun (Rajesh Khanna).

What a story it was. Suraj too becomes an IAF officer (weren’t they obsessed with IAF pilots at that time, the ultimate macho man with Ray Ban glasses?) and falls in love with Renu (Farida Jalal).

During those days, as I brought out in the Kashmir Ki Kali song earlier, acknowledgement of love was not direct and in-your-face like these days. Here is Suraj asking Renu a series of questions so that somehow she’d acknowledge being in love with him. Anand Bakshi wrote the lyrics with music by SD Burman. Rafi and Lata have sung for Suraj and Renu respectively: Baagon mein bahar hai?

https://youtube.com/watch?v=78JhA_TJvBI%3Ffs%3D1

Before I turn to songs by other actors and actresses and singers on the Age of Innocence, lets have just one more song of Dev Anand, one of the three great and inimitable actors that we lost during the course of last one year.

Look at and hear this duet and tell me where all do you see innocence: is it in the mischievous smile of Dev Anand? Is it in the shy enthusiasm of Kalpana Kartik or is it all over there in the loving atmosphere or is it in all these things? This duet should be representative of that era; the era which can only be called the golden era or the age of innocence.

The duet has all the bests in it. First of all the movie Nau Do Gyaraah was produced by Dev Anand and was the directorial debut of his brother Vijay Anand (do you remember Kala Bazaar, Guide, Johnny Mera Naam, Jewel Thief, Haqeeqat, Kora Kagaz and Teesri Manzil?). Majrooh Sultanpuri wrote some of his best lyrics for the movie such as Hum hain rahi pyaar ke, dhalti jaaye chunariya, Kali ke roop mein. SD Burman gave music for most Dev Anand movies and gave superb music for this movie too. Finally, that was the era of the duets and there is nothing to beat Asha Bhosle pairing with Kishore Kumar. Enjoy Aankhon mein kya ji:

https://youtube.com/watch?v=edqh8JLnV7s%3Ffs%3D1

Age of innocence wasn’t just about Love only; it was about good conduct, good manners, trusting, lack of cunning and deceit except in the villain. A number of songs (thousands) came up during that era celebrating innocence. I give you just a few of them.

What can be more innocent than this song I have selected for you? The name of the movie is Anari (Naive). It came during an era when Innocence and Naivete were desirable virtues and not looked down upon. Indeed, cleverness and cunning were not considered smart as these are today. Anari is a 1959 Bollywood film directed by Hrishikesh Mukherjee. The film stars Raj Kapoor, Nutan, Motilal and Lalita Pawar. The music was by Shankar Jaikishan and the lyrics by Hasrat Jaipuri (just one song, ie, Ban ke panchhi gaaye pyaar ka taraana) as well as Shailendra (both lyricists and music directors being regular in Raj Kapoor films). Among the few movies that Lalita Pawar played a positive role and Motilal a role with shades of grey. Raj Kapoor is the innocent hero of the movie who falls in love with a maidservant played by Nutan. Little did he know that she is the daughter of the person who gave him employment when he couldn’t make a living through trading and painting. His landlady played by Lalita Pawar dies of poisoning and now Raj must prove his innocence – not his Chaplinesque innocence but real one. Just see in this song how Nutan chides Raj Kapoor for being so naive as not to understand the atmosphere or the aura of love. The title of the song is: Vo chand khila vo taare hanse, ye raat ajab matvaali hai; samajhane vaale samajh gaye hain, naa samajhe vo anari hain:

https://youtube.com/watch?v=OvtU5FYxK-c%3Ffs%3D1

Anari was a 1959 movie directed by Hrishikesh Mukherjee. Raj Kapoor and Nutan look so fresh and – you guessed it – innocent that one misses that era when it didn’t pay to be clever and cunning. Another song from the movie is the anthem of innocence and Shailendra got the Best Lyricist award for this song just as Raj Kapoor got the Best Actor award for the movie. Mukesh, who has sung most of Raj Kapoor’s songs, got the best singer award for this movie. Also, the best ever music duo of Shanker Jaikishan got the Best Music Director award for the movie. The song is also my facebook profile song. Enjoy this anthem of innocence; the answer to Nutan asking Raj Kapoor why is he so naive. The song says: sab kuchh seekha humne na seekhi hoshiyari:

https://youtube.com/watch?v=d1BIf0PN5x4%3Ffs%3D1

Balika Badhu (The Girl Wife) is a 1976 Hindi film produced by Shakti Samanta and directed by Tarun Majumdar. The film is based on the Bengali novel by the same name by Bimal Kar, about a young girl who is married before she is old enough to understand what marriage is all about, against the backdrop of Indian freedom struggle. Gradually she and her school-going husband grow as a couple and begin to love one another. The film was previously made into a Bengali film, Balika Badhu (1967), starring Moushumi Chatterjee, by Tarun Majumdar himself. This romantic comedy drama stars Sachin with Rajni Sharma, Asrani, A. K. Hangal, Asit Sen, Paintal and Om Shivpuri. The music is by R. D. Burman and lyrics by Anand Bakshi, who penned several hits in the film including “Bade Achchhe Lagte Hain…”, which was singer Amit Kumar’s first hit and featured on the Binaca Geetmala annual list 1977. Enjoy:

https://youtube.com/watch?v=3pN7sITXVyk%3Ffs%3D1

The one is really dear to me. It is by my favourite lyricist Shakeel Badayuni with my favourite singer/music director Hemant Kumar. The song is from the 1962 movie Bees Saal Baad. The movie was Hemant all the way: it was produced by him and he sang some of the best songs in the movie such as Bekraar karke humen youn na jaayiye and Zara nazron se keh do ji. Here is the plot: After a lusty Thakur rapes a young girl, she kills herself. Thereafter, the Thakur is killed by what the local people call the girl’s vengeful spirit. Then the Thakur’s son is also killed in a similar way. Thereafter the brother of the Thakur is also killed. The grandson of the Thakur, Kumar Vijay Singh (Biswajeet) returns from abroad to claim his ill-fated legacy. He is warned to stay away from the grounds that have killed his ancestors, but he intends to find out who or what is behind the killings, and hires a private detective, Gopichand Jasoos (Asit Sen). Kumar meets with Radha (Waheeda Rehman), the daughter of the local doctor, Ramlal Vaid (Manmohan Krishan), and both eventually fall in love. Then a man is found dead wearing the clothes of Kumar Vijay, and Kumar Vijay must now decide to stay away from his new residence, or continue to live there, and fear for his life everyday until death. With such a plot, where does innocence enter here? Well, listen to a young Waheeda Rehman singing this number. Going with the mystery of the plot, Lata Mangeshkar got the Filmfare award for ‘Kain deep jale kahin dil’. However, I would go for this number anytime: sapne suhaane ladakpan ke:

https://youtube.com/watch?v=AReakaj_bW8%3Ffs%3D1

Here is a very young Saira Bano in 1961 movie Junglee made famous by Shammi Kapoor with his wild yaahoo chahe koi mujhe koi junglee kahe. This girl is touched by love for the first time and she is stepping from girlhood to womanhood. Hasrat Jaipuri has captured her feelings so well in his lyrics and the best ever music duo Shanker Jai Kishan have given the kind of music that speaks excitedly of her transition. Innocence indeed: ja ja ja mere bachpan, kahin jaa ke chhup nadaan:

https://youtube.com/watch?v=OnBJLHyQxxs%3Ffs%3D1

Before I end, just one last song from the Age of Innocence. Teesri Kasam (Third Oath) is a 1966 film based on a short story, ‘Mare Gaye Gulfam’ by Phanishwarnath Renu. The film stars Raj Kapoor and Waheeda Rehman. Music of the film was by the famed duo of Shankar – Jaikishan.

The film was so much ahead of its time that it flopped at box office. Directed by Basu Bhattacharya, Teesri Kasam is an unconventional film that portrays the society of the rural India and simplicity of villagers. The whole film was shot in Araria, Bihar. Hiraman (Raj Kapoor) is a bullock cart driver with conservative traditional values. While smuggling illegal goods on his bullock cart and close escape from police, Hiraman takes vow (first Kasam) to never carry illegal goods again in his cart. While transporting bamboo for timber trader on his bullock cart, he is beaten by two men when their horses are upset by bamboos of Hiraman’s cart. After that incident, Hiraman takes another vow (second Kasam) to never carry bamboo again in his cart. One night, Hiraman is asked to carry Hirabai (Waheeda Rehman), a nautanki dancer as a passenger to the 40 miles distance to the village fair. As they travel together Hiraman sings to pass time and tells her the story of the legend of Mahua. As the journey progresses, Hirabai is mesmerized by Hiraman’s innocence and his simple philosophy of life. Hiraman in return sees her as an angel of purity. Once they reach the village fair, Hiraman joins with his band of bullock cart drivers and Hirabai joins the nautanki company. Hirabai asks Hiraman to stay at village fair for a few days to see her dance. Hirabai arranges free passes for Hiraman and his friends to see nautanki on every night as long as village fair runs. As Hiraman attends nautanki, he becomes aware that other people see her as a prostitute and it disturbs him. He tries to shield and protect her from society. The bond between two grows stronger as the days pass at the fair. He gets involved in fights with local people who speak badly about her and her profession. Hirabai tries to make him understand the harsh reality of her life. Hiraman asks her to leave her profession and start living a respectable life. Hirabai refuses to leave her acting career. Depressed, Hiraman leaves village fair and returns to his village. In the mean time, Hirabai understands Hiraman’s unselfish love. Hirabai meets Hiraman and reveals her past secret that she had been already sold and she was no longer a virgin beauty. Hirabai returns to her hometown. After seeing Hirabai going away from his life, Hiraman takes third vow (teesri Kasam) to never carry a nautanki company dancer again in his cart This song written by Shailendra Singh depicts the innocence of Hiraman: sajan re jhoot mat bolo khuda ke paas jaana hai:

https://youtube.com/watch?v=tY50kphA4-k%3Ffs%3D1

Finally, lets have a look at what Age of Innocence meant for the western people. It is the name of Edith Wharton’s novel published in 1920, which won the 1921 Pulitzer Award. The Age of Innocence centers on an upper-class couple’s impending marriage, and the introduction of a woman plagued by scandal whose presence threatens their happiness. In 1993 it was made into a Hollywood movie by Columbia Pictures.

Taste the first three stanzas of this song titled ‘Age of Innocence’ and try to think where Innocence has gone:

I can’t be compromising in my thoughts no more
I can’t prevent the times my anger fills my heart
I can’t be sympathizing with a new lost cause
I feel I’ve lost my patience with the world and all

And all the politicians and their hollow promises
And all the lies, deceit and shame that goes with it
The working man pays everything for their mistakes
And with his life too if there was to be a war

So we can only get one chance, can we take it?
And we only got one life, can’t exchange it
Can we hold on to what we have, don’t replace it
The age of innocence is fading like an old dream

Don’t we all miss the Age of Innocence?

LOVE AND A THREE LETTERED WORD

It sprang through woods and grass
Lively and playful
Now here, now there;
Through rains and clouds
Through sun and moon.
It braved rivulets and torrents
Birds and feral animals.
Everyone said:
How lovely it is
Like a new sprout
Like a young deer;
It looks so beautiful,
It looks so tender;
Lets call it Love.
She saw it too
In my eyes.
She heard it,
In my breathing.
Her eyes whispered to me:
“Love is all I wanted,
Thank you for giving it to me.”
We floated on clouds,
We swam in the sky
We walked on petals
And etched our names on the breeze.
We made melodies
We vowed, we cooed,
We laughed, we danced.Then one day
Just as unexpectedly as Love

A three lettered word came between us
And ruined our lives and us.
She was the first to utter it
She got obsessed with it
And I still rue its origin.
Courtesy: sat.collegeboard.org
I should have seen
The look in her eyes
When, through pouted lips
She uttered it for the first time
It hung between us
And I knew she’d want it more and more
She just relished its sound.I still remember the time

When she whispered it;
It was demanding, it was urgent
She couldn’t have waited.
How I long for our love before it,
Before she murmured it with a sigh
The three lettered word called, “Why?”

OLYMPICS ARE BIASED AGAINST INDIANS

 

Another Olympics and yet another time we are thrilled as a nation to have got one Bronze. We compete with such nations as Azerbaijan, Slovakia, Serbia and Mongolia whilst the nation with whom we are made to (or expected to) compete in GDP growth, greatness etc, ie, China, tops the medal tally. After every dismal performance we are filled with renewed zeal: “Agli baar chhodenge nahin” (next time we shall not leave them) (Read ‘We Are Like That Only’). However, when next time comes, we again bemoan collectively that the rules and umpires or referees or judges just didn’t favour us; there appears to be conspiracy against the Indian civilisation.

I have been like all the others denigrating the Indians for their poor performance, lack of focused approach, discipline, sports infrastructure and competitive spirit of our young men and women. But, lately I have started to earnestly examine the ‘conspiracy theory’. Lo and behold; the conclusion that I have reached is that there is adequate evidence to support the charge.

First of all, Olympics are totally opposite of our culture of “peaceful co-existence”; how can we be competing against anyone to win Gold, Silver or Bronze? Once in a blue-moon someone with ‘anti-Indian’ tendencies can stoop so low as to win a Gold, Silver or Bronze in shooting (a la Abhinav Bindra, Rajyavardhan Rathore and Gagan Narang) or in boxing like Vijender Singh; but, we discourage such greed for “material things”. For us, participation is more important than winning. Indeed, as a matter of interest, the expenditure on participation of scores of officials and non-players in the Indian contingent is never allowed to exceed the total sum of money spent on our former President’s foreign jaunts. That’s the kind of respect that we have for our head of state.

Naturally, the Westerns always take advantage of our cultural moorings and devise such lowly games where winning medals is all that counts. We, Indians have values. Winning somebody else’s precious metals is not for us when we have enough of our own. Indeed, we are stashing a large percentage of these in foreign banks and vaults. Also, we have very stringent Customs Regulations; we guide our players not to bring imported precious metals as there would be heavy duty on it. We made an exception for Sachin Tendulkar’s Ferrari and landed up in avoidable controversy.

Most games in Olympics are against our civilizational values and we in India lay a lot of store for values. Can’t we have some realistic games suited for Indian conditions? Can’t we have games that suit our natural ability and talent? Here are some that I suggested to Mr. Jacques Rogge, the President of International Olympic Committee:

Me. Mr. President, I suggest that a game called ‘Traffic Decathlon’ be added from the 2020 Olympics that may be held in New Delhi. We could have a driver from each participating country being given a over-burdened lorry without adequate brakes and lights and asked to go on an Indian highway.

JR. Sounds interesting; what would be the rules?

Me. Aha, Sir, ‘Rules’ is a totally western concept, alien to us. We shall let the contestants make their own rules.

JR. Alright; but the challenge would be if they have to reach somewhere; simply being on a highway won’t do.

Me. No, no, Sir; once again, reaching somewhere is a Western concept; being ahead of the other vehicle by hook or by crook is the object of the game. And, Sir, you have no idea of the “challenge” in this; trust me.

JR. Fine; I shall put this before IOC. Let me hear your other suggestions.

Me. Sir, this is a brilliant game that we play in India; it is an adult version of ‘hide-and-seek’ or ‘treasure hunt’. In this a large sum of public money just vanishes from under the noses of the authorities and they form themselves into committees and go looking for it….

JR. ….and the one who finds it, is the winner, is it?

Me. I am afraid, Sir, you are still looking at things from a western perspective. The money is never to be found. Looking for it is great fun though and everyone has a rollicking time. Many a times we spend more money looking for the disappeared money than the original amount.

JR (catching on): And I guess here too there will be no rules.

Me. Bingo, Sir. Here is another: In this game a complete locality is flooded – as it happens with us during rains – and a team has to reach across a stretch of road.

JR. Doesn’t sound very exciting; any Olympian swimmer should be able to do that.

Me. You think so, Sir? Once again the competitors would not have any idea of where the open manholes and drains are and whether or not live electric cables are submerged.

JR. Oh, I see. Any more new games, especially for women?

Me. Ok, Sir; now this is the ultimate test of any contestant’s ability. In this a contestant is asked to look at our overcrowded local train and asked to board the train and alight at another station without loss of limb or life or gold chain or without being molested.

JR. What’s the point of this game?

Me. The point, Sir, is free amusement of the males who are otherwise bored with life.

JR. I like this because at least the goal of the game is clearly stated. What does the woman have to defend herself?

Me. There is something called pepper-spray, Sir, but points will have to be minused if someone uses it.

JR. Alright, I think you have given me some good ideas. Now, tell me one last one that should have a lot of excitement and challenge.

Me. Okay Sir; I don’t know if the foreign teams can really practise it in the next eight years; our people have vast experience. This is called ‘Sprint to Touch Congress High Command’s Feet’. You can be in any part of the country but you have to accomplish it before your rivals can do so. There is real challenge in it; you can either lose something called kursi (chair or seat) or win it. We have been practising it since independence waiting for our glorious moment in the Olympics.

JR. Bravo, this is really adventurous, like the Afghan sport of Buzh Kashi. But tell me, Sunbyanyname, if Indians are so good at all these really tough games then how is it they don’t win many medals in Olympics?

Me. Simple, Sir, it is against our culture to compete or contest and ask for material things. As an example, Sir, when British came to India we decided that we’d rather fight with each other than against our beloved guests from a foreign land. One, Nawab of Oudh, for example, in relentless pursuit of spreading Indian culture, kept up with music and poetry whilst the British took over his entire kingdom.

We Indians really love our culture and are ready to do anything to preserve and display it. Ask Ms Madhura Honey who walked in front of the entire Indian contingent at the opening ceremony of Olympics at London. She spread Indian culture in blue jeans and red shirt and became far more important than the contestants. That’s the way we always have it: anyone and everyone is more important than the contestants. She is going to be our mascot for the 2020 Olympics in case we win the bid to host them at Delhi.

BORN FREE? SATYAMEV JAYATE? LETS WORK TOWARDS IT

In my last article in Philosophy section of the blog, I wrote about ‘How Unbiased Or Innocent Can We Become?  The article had this quote from Swami Vivekanand near the end: “Therefore we see at once that there cannot be any such thing as free-will; the very words are a contradiction, because will is what we know, and everything that we know is within our universe, and everything within our universe is moulded by conditions of time, space and causality. … To acquire freedom we have to get beyond the limitations of this universe; it cannot be found here.” I concluded, therefore, that with the influences acting on our consciousness or sub-consciousness from ages and during our lives, we can never be absolutely unbiased or innocent. At best, we can be more or less unbiased or innocent than others.

Lets now descend from the stratosphere to ground reality. The fact is that perhaps never before in Indian society we were less free than we are at present; both physically and in our thinking. Satyamev Jayate, the serialised programme by Aamir Khan, is all about individual and collective freedoms and desirable restrictions thereon; for example, in the last episode, it was brought out that the unrestricted littering and pollution of water sources in India need to be checked. However, it is my firm belief that changes in societies and individuals come from within, as a response to the perceived environment. Individuals think of these changes; but, finally, they require people’s support to bring about the changes. Sometimes only they are forced upon us; such as cleanliness drive after plague in Surat or need for coastal security after 26/11 attack in Mumbai. However, such changes have limited sustainability; as soon as the threat posed by the incident recedes, we go back to our routine way of doing things.

So, what this article seeks to do is to make us aware of some of the significant issues and suggest ways out. In each one of his episodes, Aamir Khan invariably brings out about individuals and organisations that are doing a yeoman service to get over the problems. This article is a small contribution to increase awareness.

Freedom or Right to be Born and Live. We have a very high Infant Mortality Rate in India. The infant mortality rate (IMR) is the number of deaths of infants under one year old per 1,000 live births. This rate is often used as an indicator of the level of health in a country. The infant mortality rate of the world is 49.4 according to the United Nations and 42.09 according to the CIA World Factbook. As per the list of countries by infant mortality rate from the 2011 revision of the United Nations World Population Prospects report, by five years averages, India ranks at 150 in 194 countries with an IMR of 60.82. Our ranking is tucked in between that of Bangladesh and Ghana on top of us and Eritrea and Zimbabwe below us. Singapore has the lowest IMR with just 2.60 deaths per thousand. Since our death rate is 6.4 deaths per 1000, our IMR is about ten times. This means that in India ten times more children die before attaining the age of one than the number of deaths in other ages.

It would still have been alright to be complacent about these statistics. However, when the incidence of Female Infanticide is added to these, it should make us sit up and take notice. Some activists, including as brought out in an Aamir Khan’s Satyamev Jayate episode, believe that India’s 2011 census shows a serious decline in the number of girls under the age of seven – activists fear eight million female foetuses may have been aborted between 2001 and 2011.  I brought out the plight of being an Indian Woman in an early article ‘Is There Reason To Celebrate Women’s Day in India?’ and how female foetuses were discovered in a well in Patiala. Wikipedia, however, holds that these claims are controversial and that the 2011 census birth sex ratio in India, of 917 girls to 1000 boys, is similar to 870-930 girls to 1000 boys birth sex ratios observed in Japanese, Chinese, Cuban, Filipino and Hawaiian ethnic groups in the United States between 1940 to 2005. They are also similar to birth sex ratios below 900 girls to 1000 boys observed in mothers of different age groups and gestation periods in the United States. I don’t agree. I feel that Female Infanticide is prevalent in India in significant numbers and even if a girl-child exercises the Right to be Born, she soon starts praying that she would be dead.

Look at the picture below. It is from the television serial on Colors channel. The series were titled ‘Na Aana Is Des Laado‘ (Don’t Come to this World Girl). It premiered on 9th March 2009, much before Aamir Khan brought it out on SJ. The story deals with the social evil of Female infanticide, and concentrates on the problems faced by women in a male-dominant world.

A scene from Colors serial ‘Na Aana Is Des Laado’

Solution. Being born is a gift of God; to live depends upon our conditions. As a society we have to realise that life starts much before the actual birth and that female infanticide is murder. A child should be allowed to be born irrespective of its sex. After having been born, it should get adequate nourishment and health-care so as to live. We keep talking of an emerging great power called India. It is total hogwash if 6 percent of Indian children die within a year of being born and millions of female foetuses are discarded because our society has little use for women. We cannot change the entire country; but, we can certainly change the way we look at things in our own families and immediate neighbourhood. Others will have as much value for Indian lives – both male and female – as we have for our own lives. Six percent IMR doesn’t suggest we value Indian lives too much.

Freedom to Choose Religion. This is a very touchy subject with us. Just like during the elections when we see that there are people whose votes have been already cast, we have our religion already chosen for us even before birth. After that, even in the kindergarten admission form ‘Religion’ has to be specified. This continues during our lives for all admission forms and other applications. Whose religion is it? It is that of our parents and their parents? We cannot dare to go outside the ambit of the religion chosen for us by our parents. We have no idea whether other religions are good or bad (actually ‘bad’ is not even an option; we are talking about religion and not potatoes or appliances); but, we are somehow told that absolute and blind loyalty to our religion is the stuff that separates us from pagans or beasts. It is therefore an acceptable thing to break the legs of or burn the house of a person who is perceived to be desecrating our religious symbols or monuments. Our religion itself might just be teaching us to look at all human beings with kindness; but, to hell with that. It is the religious practice or rituals that are more important to us. Hence, we are prepared to do irreligious things, even to kill, in order to defend our religion that our parents chose for us and about whose virtues we simply have had no idea. Some loyalty this.

Courtesy: wallpaper.diq.ru
Solution. Organised religion became the need when human beings started living in communities to be better prepared to protect themselves from animals, disease and vagaries of nature. Now that people live in cities, towns and villages, better equipped to defend themselves than many centuries ago, orgaised religions have started dividing people and are easy prey to machinations of hordes of godmen and politicians. We should, therefore, consider making religion more private than public and vulgar display of blind loyalty. Also, if all religions believe that we are God’s children, it cannot be that God as a father would look kindly on his Muslim or Christian or Hindu children and send others to rot in hell. God loves us all. (Read ‘Whose God Is It Anyway?‘)

Freedom to Live Anywhere in the Country. Now this sounds rather easy and doesn’t look like an issue at all; especially since Aamir Khan has not (yet) talked about it being an issue. Let me, therefore, give you a few facts. Two years back, in response to a PIL (Public Interest Litigation), the Supreme Court of India ruled that an Indian has an inherent right to settle down anywhere in the country. Now, why would you require a Supreme Court ruling on it? A few years back, in an election rally, I heard the Chief Minister of my home-state make an unlawful and unconstitutional statement saying, “Himachal is for Himachalis only.” Similarly, the goons of MNS want us to believe that only ‘sons-of-soil’ have the right to settle down in Maharshatra. A RAND study, a few years back, concluded that within the next two decades India would be divided into at least 50 states. Why are we becoming so parochial? Who is profiting from dividing us? This time it is not really a “foreign-hand” that is manipulating us. This time, just like pre-independence days when British ruled over us by following a ‘Divide and Rule’ policy, our own politicians too have learnt how to manipulate people by dividing them along religious, geographical, linguist and casteist lines. So, whilst earlier we lost our independence to the British, now we have lost it to the politicians. The states are now becoming more and more isolated from the concept of a united India. Within the states and cities we already have colonies of Muslims, Sikhs, Biharis, Bengalis etc. Three years back a Muslim was refused permission to buy a flat in a predominantly Hindu building in Pune. Many a times any opposition to these parochial ideas are met with threats of or actual killings.

Solution. Parochialism of this nature is anti-Indian. We have to publicly and individually shun it. We have to focus on the concept of one India rather than being divided into various regions. If we don’t do so, very soon we shall have anti-social and anti-national elements ruling over us. As an example, Maoists writ now runs large in about one third of the districts of our country. For any movement to succeed, people have to stand up to the nonsense dished out by politicians who take up the patronage of colonies and regions based on parochial interests. We, as people of free India, must stand against these. Lets ask of our candidates in the next elections that we would vote for them only if they undertake not to divide us further. As a small step, all vehicle registration plates, by law, are to be based on “modern Hindu-Arabic numerals and Roman alphabets”. Lets shun those that are in local script; these are illegal.

Courtesy: team-bhp.com

Freedom to Choose Government. “Aha, here we got you” you are bound to say, “India is the largest democracy in the world and we choose governments on the average of every five years.” Think again. Do you really exercise a choice? Is it really functional democracy? One and a half years back, on the occasion of our 62nd Republic Day I brought out in an article ‘How Proud Should We Be Of Indian Republic at 62?‘ that an elected representative in our country represents, on an average, about 9 percent of the electorate (people of voting age who are registered voters). This means that a good 90 percent of the electorate haven’t elected him/her. However, when he/she enters the parliament he starts using such arrogant words as ‘supremacy of the parliament’ (mind you not ‘supremacy of the people’ but that of his seat of “power“). And these 9 percent voters; how did they elect him/her? The only issues that he brought out to them during his/her messy election campaign were those of caste, religion, and vituperation of the other candidates and parties. Think again; what choice did you exercise whilst electing him/her? Did you exercise your choice of ‘none of the above’? Or, most likely, you only chose what appeared to be the least harmful of a band of rogues? If you did you are amongst the lucky few who actually went to vote and after going there found that your name is actually on the voters’ list (a tall order in case you happen to vote conscientiously and not enmass as people in the politically patronaged colonies do) and your vote has not already been cast after you have reached the voting booth.

Courtesy: rediff.com

Solution. We require a truly representative government in India; one where we actually exercise a choice. It wouldn’t come about unless the thinking middle-class wakes up and hold the representatives accountable. Please remember after the 26/11 Mumbai attacks, when the middle class took out candle light marches for the victims and stridently took the elected representatives to task for complete absence of security, Colaba, the constituency where the attacks took place, recorded the lowest voter turn out of just 37 percent. Most middle class voters enjoy the three-four days holidays that they get for voting. Simple solutions then: One, ensure your name is on the voters’ list; two, ensure that you vote; three, lets have a strong enough movement to get ‘none-of-the-above’ choices included in the voters pad; four, vote conscientiously and not as an ad hoc choice at the spur of the moment.

Freedom to Choose Life Partner. India is a country where until recently we had the prevalence of Sati. A widow was expected to jump into the funeral pyre of her dead husband since it was considered that after the husband was dead, the wife had no right to continue living. And who was her husband? Did she choose him? No, for heaven’s sake, what are you talking about? Many of the Indian girls are still married when they are children (see pic below). The parents decide who she should get married to; of what religion and caste are the governing factors. It is the same with boys; he dare not marry anyone outside the ambit laid by the parents and the community. In many cases, should the boy and the girl decide to exercise choice, the future that awaits them is that of complete ostracising and also of death. With the increased expectancy of life, the couple is expected to spend the next five decades or more together but both of them do not exercise choice for fear of parents, relatives and khap-panchayats. In majority of the cases, the boy’s family either demands dowry directly or makes it clear that the girl will be happier if her parents provide something for her; eg, “Humein kuchh nahin chahiye, jo kuchh hai aap apni ladki ko de sakte hain.” (We don’t need anything; you are free to give anything to your daughter though)

Prevalence of child marriage (Pic courtesy: asianews.it)
Solution. Life is unique and life is precious. The happiness of our children lies in providing them the freedom to choose life partners. Dowry and other considerations of caste and community should be shunned. The only way to change the society is if we do it with our children and start with ourselves and our families.

Freedom of Expression. This is a very sensitive subject with us. From ostracism of MF Hussain to Mamta Bannerji getting after people with vengeance who were making cartoons of her, we are certainly losing patience and becoming more rigid in our approach. It is not just James Laine’s ‘Hindu King in Islamic India’ but, nowadays, increasingly large number of movies and books are found objectionable by communities and vested interests; many of these without either seeing the movie or reading the book. It is true that freedom of expression should be responsibly used; however, I am talking about more and more people in our society being pseudo loyalists and jingoists. We are gradually becoming a society where fear prevails and true expressions remain suppressed for ages.

Laine burning (Courtesy: patwardhan.com)

Solution. We should be proud of the pluralism of India. Even when foreign kings came to India and ruled over us, we didn’t require armies and senas to protect our beliefs and ideas. In the end, ideas conquer because of the strength of the ideas and not because of the authorities or senas protecting these. What we need is a society more tolerant of others’ ideas. As Winston Churchill said, “I do not agree with you but I shall defend to the hilt your right to say your thing.”

Right to Privacy. Lets face it: we are too many of us. There is no way we can let people by themselves; everything is public, everything is everywhere. In this, the role of the present day Indian media is to be abhorred. Imagine sending a microphone down to Prince having fallen into a 40 metres hole and asking him, “Kaisa lag raha hai tumhen?” (How do you feel being down there?). Similarly, telling us live what is happening every minute to the innards of Pramod Mahajan after having been shot by his brother, I would think it is invasion of privacy. Listening to people’s calls, e-mails, messages in the name of tightening security is also invasion of privacy. There is nowhere to go these days. Young boys and girls in love are frequently hassled by the police. All your sensitive information is public knowledge. India has emerged the capital of the world for white collar crimes such as stealth of banking data of people and credit card details. Similarly, the police feels that they can stop anyone anywhere and start harassing ordinary citizens in order to show their “supreme power”. Any number of promoters ring you up and sms you any number of times to advertise their products. You won’t find directions on the road as to how to reach the airport, hospital or railway station but you will find large hoardings telling you how far and where the next MacDonald is. Whether or not you want to participate in a religious festival, since these are largely celebrated on roads and public places you end up participating in these against your choice. You cannot dare to speak against the noise levels. We have simply lost privacy.

Loss of Privacy (courtesy: wearethebest.wordpress.com)

Solution. This will take a long time to come in India beset as we are with the problems of terrorism both from across the border and home grown. The law enforcing agencies feel that they have a right to pry into people’s private lives and people on their own feel helpless. Some of them even ask what’s the big deal about it? Possibly, we can start asserting individual’s right to privacy in awareness campaigns. The more people talk about it, the more will be the compulsion to do away with privacy. As far intrusions into privacy of individuals by communities are concerned, includind intruding by unwanted and illegal noise, we can start with ourselves, our children and our families and perhaps the movement will grow.

Freedoms We Can Do Without. Having given vent to some of the desirable freedoms that we should have as Indians and the ones that we are still far from having, let me now make a short list of freedoms that we have ascribed to ourselves but which encroach upon others’ rights and freedoms. We should restrict these so called ‘freedoms’:

The first one of these is the freedom to have sex with everyone and everywhere without consideration of age and circumstances. The instance of incest in our country is as high as 49 percent. Many very young lives have been scarred for life with our people’s inability to control sexual urges. Rapes are on the increase and Delhi has now earned the dubious distinction of being the ‘Rape Capital of the World’.

The second is freedom to use the roads every which way. The other day a foreigner asked me to describe traffic in India. I have written a lot on the subject in this very blog. But, in order to cut a long story short, here was my reply: In India you would do well to understand that on our roads we have all types of vehicles and non-vehicles at all times in all directions at all times. Can’t we individually and collectively bring some order into it?

The third is our uncontrollable urge to litter; the freedom that we feel our forefathers have won for us. The result is that our houses, colonies, roads, public places, anywhere and everywhere, look shabby, full of paan stains, with mounds or heaps of filth. Diseases and epidemics result from this unchecked pollution especially of all our water bodies. However, we don’t want to bring in even an iota of discipline in our civic lives.

Lastly, we can do away completely with the freedom to consider public moneys and properties as our own. From netas to common man, everyone is now part of the great Indian corruption scene; it is all to do with shortcuts to get ahead in life somehow. We Indians have really lost our soul. (Read ‘Indians – Bartering Character For Prosperity‘)

Fortunately for us having touched rock bottom there is no way to go but up. Lets work towards it.

Satyamev Jayate.

DESPERATE JEALOUS WIVES

As soon as I started writing articles in my blog, I wrote one titled ‘Loose Emotions’. In this I brought out that the deadliest Loose Emotion for women is Jealousy or Envy. Recently (just two days back) a Nigerian businessman  by the name of Uroko Onoja realised the hard way (or soft way, whichever way you look at it) that having sex with his youngest wife of a pack of half dozen would evoke the jealousy of five others and they would demand the same treatment. Now, I know, all those medical books that we used to read about in our school days used to tell us that no one can ever die of sex since the body has its own safety valve. However, if there is a great gap between intent (forced on by a pack of five desperate women) and capability, it can be fatal. Do you remember the school time joke of ‘Big chief, no shit’ (from a region close to Onoja’s)? Finally, after the doctor kept increasing the laxative dose, it was ‘Big shit, no chief’. A similar thing happened with Uroko Onoja.


Nigerian Uroko Onoja realised polygamy may not be as attractive as it appeared (Courtesy: bvinews.com)

Men will never know how desperate jealous wives can get. Some of them, like Onoja, die before they can learn. John Wayne Bobbitt realised it when he was still alive but most men in John Wayne’s condition, won’t really call themselves ‘alive‘. John married Lorena on 18 Jun 1989 (her maiden name was Gallo and the pronunciation of it should have cautioned John). However, John, oblivious of what waited for him, flaunted his infidelities with other women to Lorena. On the night of 23 Jun 1993, when he thought he would do to Lorena in his apartment in Virginia what he was subjecting the other women to, he had no idea his fun would be cut short. And mind you, if it hadn’t been for the police doggedly searching for the severed fun (or should it be spelled with a g?), and reuniting him with his instrument of desire, he could have claimed to have the world’s fastest sex change.

During the trial, it came out that Lorena was not only jealous because of John carrying his acts outside the Virginia apartment, but also because she claimed that he derived all the orgasmic ecstasy from their conjugal enactments whilst leaving her high and dry.

Many a man has come across the jealous wife imagining woh (As in ‘Pati, Patni Aur Woh‘ (Husband, Wife and She)) even when none existed. Like the wife who used to spot different shades of hair on her husband’s coat in the evenings and concluded that he was having affairs, one after the other, with a blond, brunette and redhead. One evening, she couldn’t spy out a single hair on his coat and she bemoaned, “Gawd, he has now started dating bald women too.”

Two and a half months back, I brought out in an article titled ‘Jill The Ripper And Satyamev Jayate’ that, in London, they now suspect that Jack the Ripper was a DJW (Desperate Jealous Wife) Lizzie Williams who was so fed up of the infidelities of her husband that she targeted all those who she thought had affairs with her husband.

The English playwright and poet William Congreve in his 1697 tragi-drama ‘The Morning Bride’ wrote: “Heaven has no rage like love to hatred turned, Nor hell a fury like a woman scorned,”

I know the question foremost in the minds of Indian men would be, “Nigeria, yes; America, yes; but is there anyway the bushfire would reach India?” My advice is ‘don’t take chances’ . For example, Sections 97 to 106 of the Indian Penal Code (IPC) deal with the ‘Right of Private Defence’; but, there is no section dealing with the ‘Right of Defence of Privates’. Gouging eyes of the other women is become passe‘ these days. The other methods of teaching lessons to men, as described above, are becoming more common now.

An Indian Saint called Vidya (Knowledge) Balan (Young) (Or ‘Knowledge for the Youth) had this advice to give men in The Dirty Picture, “Tujhe holi khelneka bohot shauk hai lekin teri pichkari mein dum nahin hai.” (You like to play Holi but your ‘Fountain Gun’ isn’t loaded).

Alas Uroko Onoja, the Nigerian Businessman, like other men, realised that the Pichkari cannot remain loaded forever. In other words, during school-days, we used to learn the main difference between Dark and Hard: the difference is that it can stay dark the whole night long.

बीवी का नया नाम

हम बीवी को बुलाते थे जान, चाँद, सनम और रानी,
पर एक दिन सर के ऊपर से निकल गया पानी
नाम हमारे दिमाग में आये चार सौ अस्सी
और बीवी का नाम बड़े सोच के रखा “रस्सी”

“कया अजब नाम है?”  सोचा होगा आपने
आज तक ऐसा नाम नहीं रखा किसी के  बाप ने
“इसके क्या माईने हैं कुछ तो ससमझाईये
हमें  बुझारतों में इस तरह ना उलझायिये”

[हमने कहा, “इसमें बुझारत की क्या बात है?
“रस्सी” का मतलब बिलकुल साक्षात है:
यह जल जाती है पेर बल नहीं जाता
हमारी मेहबूबा का भी कल नहीं जाता”

“वो कल जब माईके में उन्का राज था
भाई काम करते थे और इनको ना कोई काज था
अब पति करता है  दिन रात इनकी सेवा
और ये खाती हैं मखमल पर बैठ के मेवा”

“मेरी गरदन में बड़े प्यार से पड़ जाती है
अच्छे भले मुलाजिम की जान निकल जाती है
हुमने सोचा था यह बनेगीं प्यार की डोरी
पर इन्हों ने रस्सी बनके की जोरा  जोरी”

Courtesy: heysko.com
यारो अगर बीवी भी बन जाये गले में फंदा
और तुम रहना चाह्ते हो इस जहान में ज़िन्दा
डोरी को कभी ना बनने दो रस्सी या संगल
तभी रहेंगे तुम्हारे  दिन व रात मंगल

BLOGGING – RACE OR STAMPEDE?

The Webster dictionary describes the word ‘Stampede’ as: “A sudden panicked rush of a number of horses, cattle, or other animals“. Lately, however, the description has also come to include people, eg, “There was a stampede at the temple on the hill. When reports last came in, 23 people had died and two were in critical state in the hospital.” The four key words are: sudden, panic, rush, animals. Why, oh why, do bloggers indulge in it? Where is the panic? Why the rush? Who are the animals? What is the suddenness, haste, hurry? Where is the race?


Courtesy: sipseystreetirregulars.blogspot.com

When I retired from the Navy in end Feb 2010, I picked up a job on the civvie-street and discovered that people are steeped in, what is known as, corporate culture. They work, and work, and then – just to break the monotony – work some more. Your status and actual power that you command is often meausred in terms of how late you work in the nights in the office. Since I am in the Energy business, I find it rather ironical that we should ourselves be dissipating so much of energy to save the world or India from an energy crisis. So, whilst in the Navy, I worked five-day weeks, on the civvie-street I had no choice but to work six-days-in-seven like the rest of the corporate guys and gals and then spend the sabbath day with the family. This would really make mind dull, I thought to myself. The question that came to me was how to keep body and soul together in this mad race? And then I saw a little light across the tunnel of my mind: write, it said; let creative energies flow. It would rejuvenate those little brain cells that are dying due to old age and inactivity. A blog was thought by me as the equivalent of sudoku; it would give me enormous joy to do it at a leisurely pace without having to beat the world record in speed.

Strange are the ways of the bloggers, though. Little did I realise that I would get out of one race and get into another. Race is at least something orgainised with everyone hurrying in one direction. Blogging scene, I soon realised, is like a stampede and that’s how I started with Webster’s.

What went wrong? Well, how can you pinpoint what goes wrong in a stampede? However, I shall try to do a small analysis. Here goes:

Initially when I wrote a few of the cognoscenti read it and either called me or mailed me about the quality or lack thereof of my writing. One sabbath day, when I had a little time to myself, I started wondering what other blogs looked like. I typed out the word ‘blog‘ on google search and landed up with 10,560,000,000 results. I realised that if I had to go through these it is quite possible that my great grand children would have come to the end of the search. So, I tried to become narrow-minded and typed ‘Indian Blogs’. This produced 286,000,000 results. As I scrolled down, I came across something called indiblogger. I clicked on the link. Looking back, I am reminded of the second standard boy of a primary school who accidentally presses an innocuous looking red button during his school’s visit to a nuclear reactor. Just like him, I din’t know I had started something I would find it difficult to control. Indiblogger url is http://www.indiblogger.in/. Why ‘in’ I asked myself at that time? Now I know the answer: it is ‘in’ because there is no way out.

Indiblogger has Indian bloggers vying with each other to obtain popularity through a simple, scientifically proved tenet that can be expressed as: ‘you scratch my back, I scratch yours’. There are bloggers and fans, or writers and readers – all cyclic, all within a loop. In short, when A writes a blog, B is a reader and when B writes, A is the reader. This is a very fine arrangement since otherwise blogging is like an Indian regional political party, say, Akali Dal in Punjab; to start with there was one combined Akali Dal with one leader on top. Then, a suppressed potential leader thought of splitting the party into two, with the faction loyal to him having his name’s first letter as a suffix to the original party name, eg, Akali Dal (S). This fissionable process continued until they landed up with more parties and leaders than partymen. Fortunately, Indian bloggers have potentially as many readers as writers.

Indibloggers also remind you of two rabbits being chased by foxes; after running some distance the he-rabbit turned to the she rabbit, “Should we keep running or should we just stop for a while and try to outnumber them?” Indian bloggers are in a stampede to outnumber the others in number of posts, votes and comments. This process is simplified by indiblogger by giving you an indirank dependent upon MozRank. which “represents a link popularity score. It reflects the importance of any given web page on the Internet. Pages earn MozRank by the number and quality of other pages that link to them. The higher the quality of the incoming links, the higher the MozRank.” Then there is Alexa Rank, which brings out the global ranking of your site in comparison to other sites based on its popularity. Then there is ‘External Juice Passing marks’. Then there is frequency of posting to judge whether you are a rabbit or a fox. In case you are like me, enjoying writing at leisurely pace, indiblogger is more likely to tell you that “your blog is starting to appear neglected”. All this for a simple hobby of writing for pleasure? Hardly, sirs and ma’ams; writing and reading for pleasure is for the nincompoops. Indibloggers behave like drivers in India; the idea is to somehow be ahead of the driver adjacent to you. Now, at this juncture if someone were to ask the indibloggers or the drivers as to where are they headed, you are likely to receive he response, “Why should we worry about that? I started at a ranking of A; and now, after three years, I am at 2A. I must be getting somewhere.” Philosophically and culturally we are Indians; for us the journey is more important than the destination.

The result of the stampede is that bloggers ‘promote‘ other blogs and ‘comment’ and ‘vote’ as if it is a contest or election. The idea is to offer a tit for tat. It is not rare to find fellow-bloggers commenting on your blog without reading it at all and – this is a must – leaving the url of their own article in the comment to enable you to scratch their back too.

The dynamics of the race or the stampede are such that it is sacrilege to question it. It is like telling a driver who cuts lanes that it won’t help. For 37 years I was in the Navy and I had to make peace with ranks and promotions. Indiblogger has brought it home to me that others care about these even more than we did. And, most indibloggers are more at sea than we were.



Courtesy: magical-marketing.com

Many blogs actually appear like the social media such as facebook. The blog post is as small as the status on facebook, followed by dozens of comments by friends and back-scratching hopefuls, as if repeating the words of the popular song from the 1973 Hindi movie:
A: Mujhe kuchh kehna hai (I have something to say).
B: Mujhe bhi kuchh kehna hai (I too have something to say)


Carry on fellow indibloggers; some of the rewards of the blogging are reaching me too:


LOVE BEYOND THE PAIN

Don’t love me, O’ sweet, when we meet,
For there is less
Glee in achieving than in yearning.
From here it’s alluring,
The scent of your tress;
I get my joys in burning,
In pining, in longing
And in sorrow,
And waiting for each tomorrow.

I don’t want to strangle my dreams to death,
You, alone, sit in my dream castle
On an island in a grieving river;
And far below
In a dark dungeon I am thrown.
I reach out my hands without catching ye,
Ye outside smile at me.
And, lo! I wish not my hands were free.

Courtesy: sweet-tea-theology.com
I shall wait…wait till the pains are so much,
That they burn themselves in their own scars,
The waters of grieving river’d calm down,
The cell would break its own bars.
Then you and I’ll live away from town,
In a small hut by a joyous brook.
We’d work, we’d eat, we’d play the deep
Game of love,
And thus at last we’d sleep.

A FLEETING VISIT TO SILVASSA AND DAMAN

We (my wife and I) recently went to Silvassa, the capital of Union Territory of Dadra and Nagar Haveli, the erstwhile Portuguese colonies, which joined the Indian state in 1961. My company has a Polyester Texturising Plant there. Lyn, my wife, went around in Silvassa looking at the parks, dams and lakes whilst I busied myself in my job. Silvassa, derives its name from the Portuguese word “silva”, which means wood. Silvassa is just 180 kms from the concrete jungle called Mumbai and after this 3 hours drive on a very good six lanes NH8 you are transported to a rare sylvan beauty: 

Madhuban dam built across river Daman Ganga

A view of the Ban Ganga Lake

The Madhuban Dam amd Ban Ganga Lake are great tourist attractions at Silvassa. Ban Ganga Lake is a paradise for nature lovers and its scenic beauty, serenity and lush verdure around it have inspired many scenes, especially song sequences in Hindi movies. The following pictures may trigger memories of those scenes:

Ban Ganga Lake – the scene of many songs from Hindi movies

Lake, trees, and a boat….and that too sun coloured. What more do you want? Chand?

Scene around Ban Ganga Lake – makes you break into a song



180 kms from Mumbai and you are one with Nature all by yourself

And, if there is flora, fauna can’t be far, is it?
Around Ban Ganga lake in Silvassa, you can go on a wild-goose chase and enjoy it

You’d love being ashore……..
—–and love looking into water

Adding to the scenic beauty is the Silvassa Museum or the Tribal Museum. It has some imaginative displays that give one glimpses into the tribal culture through a collection of masks, musical instruments, traditional jewelry and hunting tools. You can also see Warli paintings and traditional crafts and even buy this stuff. Have a look in the following pictures:

Entrance to the Silvassa Museum

Some of the displays in the museum:




Alright, I must have already convinced you to visit Silvassa. There are Lion and Deer safaris to be had. The tourism brochure gives you a number of choices in eco-tourism, agri-tourism, tribal culture, wildlife, water sports etc. And all this is just 180 kms from Mumbai.

Thirty kms from Silvassa, on the other side of National Highway Number 8 between Mumbai and Ahmedabad is the Union Territory of Daman. Just like the UT of Dadra and Nagar Haveli, Daman too has an impressive entrance:



Entrance to the Union Territory of Daman

Just as at the entrance of Dadra and Nagar Haveli, the tribal or indigenous people have been show-cased. This statue of a fisherman greets you at the entrance:

Memorial to the common man – a fisherman at the entrance to Daman

A Portuguese Diogo de Melo arrived at Daman, by chance in 1523, when heading towards Ormuz but caught in a violent storm and having his boat blown towards the coast of Daman. Soon the other Portuguese arrived and made it into a Portuguese colony. It remained so till its merger into Indian state as a Union Territory in 1961 when a pitched battle took place between the Indians and the Portuguese that left four Indian and ten Portuguese dead and more than a dozen wounded. Just a km from the entrance is a monument of the multi-masted ships that the Portuguese used that gave them more speed and maneuverability than the Indian or Arab craft with a single mast. Hence, they were able to overpower the indigenous Indians or the Moghuls that ruled over great parts of India. The neglect of the sea-power in India led to our subjugation. However, until recently this simple fact escaped our collective attention. Portugal didn’t recognise the merger or annexation of Daman with India until 1974, one year after I had joined the Indian Navy.

Multi masted ship, a symbol of Portuguese sea power

Daman is divided by the Daman Ganga River into two parts namely Nani Daman (Nani means “small”) and Moti Daman (Moti means “big”). We entered through the Moti Daman and in our fleeting visit, as given in the title, we didn’t go across the bridge to Nani Daman. We were also told that despite its name, Nani Daman is the bigger of the two [parts of Daman and has shopping complexes, residences and other public utilities. Moti Daman, on the other hand turned out to be quiet, sleepy, devoid-of-activity town.

The bridge between the two Damans – Nani (small) and Moti (large)

Earlier there were two bridges; one for light vehicles and other for four-wheelers and above. The light bridge collapsed in Aug 2004 killing 8 school children. It was re-built but hat two collapsed. In addition to the sole bridge now, there are small boat ferries between the two Damans.

The ferry points on either side are visible
The river side memorial
Soon after the Portuguese arrived, they built a fort in Moti Daman to guard against the Mughals who were in the area before the Portuguese. You can see from the pictures below that the fort still stands after four centuries. It is lit at night.

Photo taken at the river side resort and showing the entrance to the Fort
As we started going around the fort from the North side, we say the black and white painted Lighthouse through he fishing boats. The Lighthouse has a radar above it.
We started our journey along the outer wall of the fort towards Westwards.

And very soon we reached the lighthouse:

The Daman lighthouse with radar antenna atop it

The old lighthouse inside the fort

Travelling south from the new lighthouse with is entrance
Going along the south side of the fort
The villagers next to the fort – predominantly Hindu



Another view of the fort

Back to the other entrance – ie, the South entrance

The total population of Daman is still less than a lakh. Its literacy rate is 76 percent, which is better than the rest of India. Most of the population in Daman consists of skilled and educated migrant workers (from all over India) who reside in Daman for a period of around 4 to 5 years. The local population consists of mostly fishermen called Tandels in Gujarati. The major part of the population is a mixture of Hindus, Muslims and Christians, with Hindus being dominant in number. There has never been any communal violence reported in this area. Unlike Goa, you don’t find ubiquitous crosses, niches with Mother Mary and Jesus statues and chapels everywhere. On the other hand there are temples, the most popular being Satya Narayan’s.

There are many temples in Daman

The Portuguese history of Daman, which has given it the present unique lifestyle, still revolves around Roman Catholicism. Surprisingly, two out of the three famous churches that we visited are still in use. First we visited the Church of Bom Jesus. Here is from Wikipedia, “This early 17th Century church dedicated to Bom Jesus is one of the most impressive holy places in Daman. It was completed in its present form in 1603 AD and is a living tribute to the excellence achieved by Portuguese architects and artisans in ornate and intricate Church buildings. The richly carved doorway and the highly, decorated interiors together with the lofty ceiling are aesthetic and pleasing. There are six finely made statues in the best traditions of Roman Church art and architecture. In early days of the Portuguese rule, Bom Jesus was a parish church. The Church now attracts both tourists and pilgrims in large numbers”.  You can also read some history from this signage:

Whilst structures that are made of stone are still in good condition elsewhere in the country (especially of ancient Hindu temples), it was nice to see a brick and mortar structure still standing with its old glory:

The facade of the 1603 church of Bom Jesus in Moti Daman
Some more description of the church
Ornate interior of the church. Services are held even today
A view of the pulpit and the original side door
A view of the altar, apse and the tabernacle in the church
As you come out of the church, on the eastern side you see the main street of Moti Daman and it is lined with exquisite green lamp posts:



Garden between the church and the old Collectorate

Another old Portuguese building – now a government office

Because of this being a hurried visit, we missed seeing the Chapel of Our Lady of Rosary, also built during the beginning of the 17th century. However, what we saw was  the Church of The Lady of Remedies. Its beauty left us gasping for breath. It is partly Gothic and partly Byzantine and has beautiful interior and original frescoes. Please look at the following pictures; the church is currently in service:

Description of the church both in Hindi and English
Facade of the Church of The Lady of Remedies



The church building: typically Iberian



The ornate interior of the church
Painting dating back four centuries
Exquisitely carved pulpit
A fresco dating back to 1607

The stone at the altar dating back to 1816
Altar
Towards left of the altar
And to the right

One of the doors of the church
Another door
Church bell
Right exterior of the church

Left wall of the church and the only addition to the church after Portuguese left
that is, the memorial hall on left
Inscription on the memorial hall

The other places that we visited are:

The new Secretariat building inaugurated by Sh PM Sayeed, Union Minister of State for Home in 1993



The new Collectorate
A memorial at the park close to the Secretariat

What we didn’t see was the vibrant life at the beaches of Daman during the weekends, the night clubs, casinos, spas etc. Easy availability of cheap liquor has made Daman as the quick get-away for people especially Gujaratis who are otherwise denied liquor due to prohibition. Daman attracts frequent tourists from Vapi, Bhilad, Valsad, Surat and even Vadodara. The two well known beaches of Daman are Devka beach in Nani Daman and Jampore beach at the entrance of Moti Daman. One passing thought: if ACP Dhoble has his way, very soon we may have even Mumbaiites travelling all of 200 kms to be at Daman to a watering-hole.

THE BASTARD

All characters in this story are imaginary and bear no resemblance to anyone dead or alive. All incidents except historic incidents are fictitious. Names of places and some historic events are actual but are only incidental to the story and not purported to convey specificity of places, events, organisations etc.

1

It wasn’t easy being a bastard child. In the school he came up with – what he thought as – clinching excuse that his father died saving a wounded soldier during the last war. However, gradually he knew that he knew as much about his father as other children knew about God; no body had seen Him but they believed that He existed.

The war connection – his mother once told him – was indeed correct. She, however told him that he didn’t save a wounded soldier; he was the wounded soldier, or, to be exact, the wounded airman. She saved him whilst her husband was away fighting at the border against his father’s country.

It was the darkest of the dark nights, made more dark because of the black-out against attacks from the air by the Pakistan Air Force. They had to maintain total black-out out not only because of their personal safety but also because the closeness of her village Rangarh to Indo-Pak border at Attari. Whilst lights on either side of the border would help the pilots, total darkness would disorient them in some way. She had gone to sleep early since, she told him, she was scared to remain awake. It was cold and she felt safe pulling the quilt over her head, which not only provided warmth but muffled the piercing sounds of the fighters and bombers at night. Two nights before, she was informed by the other villagers, one of the PAF pilots baled out of his burning plane and landed on the kotha (house top) of Jagtar Singh’s house. Jagtar was an octogenarian but patriotism, intensified by the war, had bestowed a certain degree of sprightliness and presence of mind in him. So, before the hapless pilot could extricate himself from the parachute and the stunning landing, Jagtar had inverted a bucket over his head and screamed for help. The vigilante group of young men of the village had then taken charge of the pilot and handed him over to the police. Jagtar and the young boys had emerged heroes. However, Kunti, his mother, had wondered, with some justification, what on earth was Jagtar doing on the kotha on a dark winter night (In their village, and in other villages of Punjab, it was customary to sleep on the clay roof top only during summers).

Anyway, since then, Kunti carefully latched up the door to the staircase leading up to the kotha of her own house as well as the front door. On that night, it was the front door of the house on which she heard urgent knocking. When she heard it, for quite some time, her reaction was that it couldn’t be. Surya, her husband had left just a month back, his leave having been cut short with war clouds gathering between India and Pakistan. He couldn’t have been sent again on leave so early. She tried to go back to sleep thinking that the breeze was playing tricks. But, anon, there was urgent metallic knocking and not the careless work of the incessant breeze. She slipped out of the quilt, put on her chappals and donned her dupatta over her salwar-kameez and rushed to the wooden front door.

Kaun hai?” (Who’s there?) she challenged the intruder.
Pehle kunda tanh khol kudiye, pher dasdanh haan” (First open the door, lass, and then I shall tell you)

This was not to her liking at all. Calling her a lass was understandable; she was married less than six months back at the age of sixteen, the age at which most of her friends and relatives got married. So, indeed, her voice had given herself away that she was still a girl in her teens. However, that she would open the door for a stranger, in the middle of night, in the midst of war, would be a wrong assumption on any one’s part, even if he knew Punjabi, her mother tongue. She picked up fresh courage thinking of her husband Surya in the Indian Army and said in no nonsense, yet girlish voice:

Main nahiyon kholna kunda” (I will not open the door)
Tera biyaah ho gaya hai, kudiye?” (Are you married?) The voice across the door asked her.

Before she could deny, and since all through her childhood, she had been brought up to always tell the truth, she accepted it straightway by saying, “Ji; aur oh border te ladan waaste gaye ne” (Yes, and he has gone to the border to fight)

Kudiye, mere pichhe bande paye ne. Main Pakistan Air Force wich haan. Zara soch, je tera ghar waala Pakistan wich qaid hone waala hoye tanh tu nahin chawehngi koi usnoo bacha lave?” (Lass, men are chasing me. I am in Pakistan Air Force. Just think, if your husband was running not to get himself imprisoned in Pakistan, won’t you wish someone would save him?”

She involuntarily shuddered when he mentioned Pakistan Air Force. But then, she instantly thought of Surya too, imagining him heavily wounded and bleeding, knocking at the door of some Pakistani woman. Only she could save him from sure death. Her mind was immediately made up and she lowered the chain latch from the door. One side then opened with his incessant pushing. He nearly fell inside the veranda but steadied himself and sat on the manji (a cot made from hemp rope and bamboo frame).

Chheti buhaa band kar lai. Ate je koi puchhe tanh keh dayin tu kalli hain.” (Quickly latch up the door and if anyone should ask, tell them you are all alone) He instructed her.

He was fast becoming unconscious. So first thing after latching the door she took him inside and made him lie down on her palang (bed), covered him with her rajaai (quilt) and offered him some water in a copper glass. He drank and asked her to look at him briefly with his pen torch. He was boyish, less than twenty-five she decided; probably about twenty two or so (“why did he call me a lass then when he was himself a boy?”) She hadn’t looked at men’s faces closely other than of her own husband and her brother. However, she instantly knew that even though he was bruised and pale he was handsome. He was in his flying suit and boots and then she noticed the area around his midriff where a lot of blood had oozed out and congealed there with the thick fabric of the flying suit. By this time, exhaustion had got him totally and he was knocked out on the bed with his booted feet resting on the floor.

She went close to his face and heard his breathing and reassured herself that he was still alive. She was just taking out his flying boots when there was incessant knocking on the door and some voices. She had the presence of mind to respond after a gap of nearly a minute. From the veranda she shouted, “Kaun hai?” (who is there?)

One of the vigilante boys shouted back that they were looking for a PAF pilot who baled out of his burning plane and whose parachute was discovered in the bushes near the pond. He asked if she had heard or seen him. Kunti shouted back that she was sleeping and that she was alone and she had both her doors latched and there was no question of anyone coming inside.

The boys left with an instruction to her to be vigilant.

She returned to the bed and holding the pen torch between her teeth she removed his shoes with some effort and then the socks. She found the zipper of the flying suit from his neck to his legs but it was difficult to see the wound because the congealed blood had made it stick to the skin. She took the thermos flask next to her bed wherein she had kept warm water for her for the night and dipped the end of towel in it and nursed the wound. It was deep and the bleeding recommenced after her nursing. She went to the cupboard and took out a bottle of Dettol, drenched the towel in it and applied it to the wound. He got up wincing with the pain and instructed her how to nurse his gash. Since the towel was already spoiled she tied it around his wound and then let him sleep. She had to sleep on the floor sandwiched between two quilts she got from the other room. In the night he winced with the pain several times but didn’t get up.

2

The dawn presented its own problems. As she got up she saw the mess around. Anyone coming in would know what had happened; many times the neighbourhood women came to pass the time; then there was the jamadarni (sweeper woman) who would come to take the night soil from the latrine. Kunti mopped up all the blood and swept the clay floors, bathed, said her morning prayers, switched on the small Bush transistor Surya had got from the army canteen and listened to bhajans (hymns) being broadcast in Vividh Bharti’s morning programme, got the chulha (village stove) going with gobber (compost) pies burning in it. She made a glass of tea and took it to him holding the hot steel glass in her dupatta. He was still in pain and could not get up on his own. She helped him up and perched him against the bed rest with a tasseled and embroidered pillow stuck between his back and the bed rest. He confirmed that it pained a lot as he sipped the tea.

She hurried him with the morning ablutions even though he could hardly move telling him that once the jamadaarni came, he should be in the other room. All went well except the jamadaarni pointed out whilst carrying out the night soil, “Tid tanh thuada theek hai ke nahin?” (Do you have a tummy upset?). Anyway, she was paying her all of ten rupees a month and it wasn’t for her to point out the bigness or smallness of the job involved. She could have been with her husband.

Later, the PAF pilot told her that his name was Haneef Mohammad and he was flying a F-78 Sabre jet when it was shot down and he had baled out. He had taken off from the air base of Sargodha in Pakistan. She asked him innocently and he agreed that if he had not been shot down he would have bombed their village and wiped out many innocent lives probably including hers. She was only sixteen but having been told Mahabharata and Ramayana stories by her nani (maternal grandmother), when she was small, she knew that fighting was a person’s calling just as being a housewife was hers.

Haneef instructed her what to get from the village chemist to nurse his wound properly. The only problem was that in that small village, the hakeem (chemist) would be too suspicious to supply her with those items. So, they decided against it. She, therefore, took a little bit of his half dried blood, soaked a make-shift bandage in it, tied to her finger and went to the hakeem to buy dettol, and some pain killers and cotton. She boiled some water and cleaned up the wound as best as she could with Dettol. She fed him some breakfast of roti and achaar and milk and gave him a pain-killer. So, when the neighbourhood women came to chat with her, he was fast asleep in the room on her palang (a cot with nawaar or taped coarse cloth) whilst they sat on the manji in the veranda. The talk was all about the plane having been shot down by the ack-ack guns in the night and how it had totally burnt after it hit the ground. They had thought the pilot had got burnt with the plane but later they had found his parachute. He could be anywhere, the women said. All other news was how good the Indian forces were doing on all fronts and had “nearly reached Lahore“.

Later, she asked Haneef about his plans. He said it would take him at least a week to recuperate and literally begged her to keep him there.

Having given him shelter, she had no choice. ‘Atithi devo bhava‘ (Guest is like god) is what her nani had taught her.

His needs were very little. He told her many stories of the war and about Pakistan. But, however hard she tried, he didn’t open up about himself and his family. He carried a picture of himself in his wallet and when she asked for it, he gave to her to keep. He was a devout Muslim and said his prayers five times a day.

She had no difficulty about keeping him there. After the first day, everyone had lost interest in his whereabouts especially since a bloated dead body was discovered in a flying suit in the nehar (canal) in the next village and everyone assumed it was that of the one who had baled out near their village.

The night before Haneef left, until late in the night Kunti and Haneef lay in their separate beds. She was, she knew, sad to let him go. When Surya was away, she had someone to talk to, someone to help in the house, someone to share her loneliness with; a lass of sixteen who had been with a man – Surya – only too briefly before he was called for fighting at the border. If only he were not an enemy, she would have been quite fond of him, she thought.

She turned in her sandwich of quilts. She heard a whisper from the palang, “Neend nahin aa rahi?” (You ain’t able to sleep?) She decided that if she answered immediately it would give her away. So she took her time and answered, “Nahin aisa tanh nahin hai.” (No, it isn’t like that). “Ute aa ke kyun nahin let jaaundi?” (Why can’t you come up and sleep?), he asked her. She replied immediately, “Nahin, eh galat hai” (No, it is wrong). “Marna bhi galat hai, ladaai bhi galat hai; theek ki hai?” (Death is wrong, war is wrong; what then is right?) he philosophised.

She had much more resistance than that. He’d known this in the last six days of being there with her that her nani had given her immense character. However, after many hours when he whispered from the bed, “Mainu pyaar ho gaya tere naal. Mera jaanh wich dil nahin hai” (I have fallen in love with you and I don’t want to leave). She whispered back, “Eh galat hai” (This is wrong).

But, she lacked conviction and he got down from the bed, lifted the quilt from her and carried her in his arms to the bed.

3
Her parents came to stay with her during the pregnancy. The war had ended a few months back. There was no news from Surya, no post card, no inland letter. She prayed for him everyday even when she carried Haneef’s child in her womb. She was prepared to tell him that her pregnancy was the result of their conjugal relations on the night before he was called to the border. She prayed that the child would have resemblance to her more than to Haneef.

One day, she received an official looking registered letter. With trembling fingers she opened it; at the same time praying to all the gods that Surya should be alive. Gods heard her prayer; but, the news was as bad as the news she had feared: Surya had been declared missing in war. At the end of 1971 Indo-Pak War hundreds of armed forces men, from both sides, were declared ‘missing’. This meant that the fact of their being dead or alive couldn’t be ascertained beyond reasonable doubt. Many years later, for example with Rajjab Ali of 8 Rajputana Rifles’ Charlie Company, many were found in the prisons of the other side even when they had been declared ‘martyred‘.

She was inconsolable with the news. She had become a half-widow at the age of seventeen. Her first reaction was that the reason why Surya was missing was because of Haneef’s country waging a war against India. And yet, not only had she helped Haneef, an enemy pilot of the same country recover from his war injury but had also helped him escape. She had taken him in the evening to the village temple in her husband’s clothes. He carried his flying suit and ID papers in a bag with him. This didn’t invite any suspicion since many people would gather at the temple on occasions and pray together for war to end and for their and their relatives’ and friends’ safety. After the kirtan (singing of hymns), Haneef had just slipped into the temple vaatika (garden) and that’s the last she ever saw of him. Since, there was no news later of his discovery or being killed, she knew he must have crossed over the no man’s land between the two countries that was reputed to be heavily mined.

It was in September 1972 that she gave birth to a bonnie boy. Her parents were ecstatic and so was she. Her penury condition had become better at that time because the army after having waited for six months after the war had declared her husband dead so that she would be entitled to pensionary benefits (of a person killed in war) and other claims. Also, she had inherited some money after her nani‘s death who had willed her everything being her favourite grandchild.

When it came to naming the child, there was consensus amongst the family and neighbours that he, being the son of Kunti and Surya – as in Mahabharata – should be named Karan. Only she knew that he could very well have been named Kareem.

Unfortunately, Kunti’s prayers regarding the likeness of Karan to her hadn’t come correct. Surya and Kunti both were dark complexioned but Karan was fair like Haneef, and ruggedly handsome. Indeed, when he was of the age when he could play with other boys, they all teased him that he couldn’t have been born to Kunti and Surya or anyone from their village Rangarh and that most likely he was haraami (bastard).

By the time Karan was in his seventh standard, two things were prominent about him: one, he was very bright student; and two, he was totally fed up of the abuses hurled at him about being a bastard child. When boys visited his house, he’d proudly show them Surya’s garlanded picture in a soldier’s uniform. But, the abuses continued.

On the day, Karan stood first in the whole of Punjab, in his matriculation state board examination, he received the usual jealous and distasteful remarks from his class mates, “Haraami chahe badmash di aulad hai per laik kaafi hai” (The bastard may be a devil’s son but he is very intelligent).

On many occasions, he had asked his mother about his father and she kept saying that he was Surya’s son. However, on the day when  his matriculation exam results were announced, he had been emboldened to not just ask her but also reason out with her. He started by saying that he had no resemblance with Surya. She said it happens sometimes. He asked how was it that he hadn’t heard much about him. She said that was due to the fact that he was killed before he could see him, his child. He said that he didn’t even resemble her. She said that too happened sometimes.

Finally, he weighed it in his mind; it was one thing to be suspicious and it was yet another thing to be confronting her, his own mother, the mother who had sacrificed everything for his happiness and provided him good education and facilities (with the money she had got from the army, his mother had opened a sewing center in their residence whereat three girls worked for her from 9 AM to 5 PM and stitched the clothes that his mother cut and designed. These were then sent for sale to Amritsar).

Nevertheless, curiosity got the better of him and he told her, “Per maan tussi ik chhoti photo her waqt dekhde ho jadon thuanu lagda hai ke main nahin dekh rahiya.” (But, mother, I have seen you looking at a small picture when you think I am not looking).

Kunti finally succumbed, burst out crying and told him all about Haneef. She told him that he was a very nice man, very handsome, thorough gentleman; but, had now crossed over to his home-country Pakistan. She showed him the dog eared picture of Haneef.

As Karan lay in his bed that night, he kept thinking about the incident of the Sabre jet, the baling out of his dad, the mental condition of his sixteen years old mother, and the atmosphere of the night before his father left for Pakistan. Finally, when he went to sleep in the wee hours of the morning, he forgave his mother. But, he wondered whether Haneef would still be alive and would he recognise his son from across the border…..so that he won’t be haraami any more. His picture was now imprinted indelibly on his mind’s slate.

4

It was the first major anti – terrorist operation for Karan Singh of the National Security Guard in his home district of Amritsar. He was just fourteen when NSG was formed as a special force for counter-terrorism activities post learning of lesson during the 1984 Operation Blue Star to flush out Jarnail Singh Bhindranwaale and other terrorists from the Golden Temple at Amritsar. Karan was deeply religious as brought by his mother’s teachings but the use of the Golden Temple for terrorist activities and subsequent shooting down of the Indian Prime Minister by one of her own security guards, Beant Singh, in retaliation against her having ordered Operation Blue Star had a deep impact on Karan Singh. So, whilst, young men from his area dreamt of joining the army, Karan was focused on joining the army and later to become a NSG commando or a Black Cat. His resolve was strengthened when in end April 1986: 80 officers, 180 JCOs and 1,500 NSG commandos participated in clearing the Golden Temple in Operation Black Thunder I. The temple was cleared and handed over to Punjab Police on 1 May 1986. There were no casualties on either side.

By the time in May 1988, Operation Black Thunder II was conducted that resulted in the killing of 30 terrorists and surrendering of nearly 200, Karan had finished his schooling. One year later, Karan appeared for the Union Public Services Commission (UPSC) examination for National Defence Academy at Khadagvasla near Pune. He topped the merit and was called for interview at Services Selection Board, Meerut. Three days of grueling tests and he was to undergo a detailed medical examination. When he was selected, he knew that joining the Army (Infantry) was for him only a step towards becoming an officer in the NSG.

During the three years training at the NDA and one year at IMA after that, the one person that he missed most was his mother. She was the person always closest to him and he worshipped her. When he was to pass out of NDA, she came to NDA to witness the passing out parade and Karan receiving the President’s Gold Medal that made her very proud of him.

After being commissioned into the army, Karan opted for and got selected in the special forces and was employed in J&K to counter the insurgency there. After a few years of this, as was his desire, he was selected to be part of the National Security Guard. He liked the ring of the title ‘Black Cat’. He felt proud of being part of the elite Special Action Group (SAG).

Karan’s first major operation was in July 1999. Two terrorists had attacked a BSF camp near Srinagar, killed three BSF officers and wife of the fourth one and had taken 12 hostages. The orders given to him and the team that he led was that no harm should come to the hostages. BBC and various Indian news channels showed the stand off nearly live. Later when Karan saw the footage, it appeared to him that the NSG were shown in poor light even though it was a very successful operation. It was all due to the fact that the two terrorists were holed up for nearly thirty hours and the news channels, without even understanding what was involved in the operation, appeared to give a verdict that it was shameful for so many of the Indian security forces to be pitched against just two terrorists for nearly thirty hours. The general feeling was that the Israelis would have done it neatly and much faster. Such perceptions irked Karan and he resolved that in the next operation, he would be more pro-active to seek results quickly. No one dared call him a Bastard now that he was an officer, but, every time Karan read the word or heard it, it hit him hard that he was actually one until he would find his dad. However, any active campaign on his part to find his dad would give him away; as also spoil the reputation of his mother whom he loved immensely. In J&K, he had interrogated many captured terrorists; some who had taken to terrorism after being in the Pakistan armed forces; but, no one had heard of a pilot named Haneef Mohammed and what had happened to him after the 1971 Indo Pak War.

5

Karan would never forget the date of 24 Dec 1999. He wished it had turned out better. The whole nation thought of it as a botched up operation. He, and others in NSG, however, knew that they tried their best. And, if at all anything was lacking it was the decision making at the higher levels; the delayed decision making, that is. In any case, he wasn’t thinking about the anti-hijacking operation launched by he and his team. He was talking about him whose life he could have saved. That morning, he got up early as usual and went through the demanding physical fitness routine he had set for himself. At Manesar, in Haryana, they were to listen to a lecture and witness a demonstration on counter-terrorism techniques by a German team. He looked forward to both. NSG having been modeled on Germany’s GSG 9 (Grenzschutzgruppe 9or “Border Guard Group 9”) was fortunate to receive periodic inputs from it. It was a grueling day since the Germans were really professional. In NSG, as Karan knew, there was never an easy day. However, as the day was ending, he was about to heave a sigh of relief. And then, there was a beep on his secure communication set. They were seeing the last part of the German demonstration on the ground. The next day, Christmas Day, was a holiday. He had planned to take a vacation until the New Year and spend sometime with his mother in their village. Seven more days, he thought, and it would be another millennium. How many people can boast of being there for the ending of a new millennium and beginning of a new one? The beep was an urgent communication on the most secure set. Within an hour Karan and his team were heliborne to land at Raja Sansi airport at Amritsar. The Indian Airlines Flight IC 814, with 178 people on board, had been hijacked immediately after take off from the Tribhuvan International Airport in Kathmandu, Nepal. It was to head for Indira Gandhi International Airport in New Delhi, India. Captain Sharan was in command. Karan was getting regular updates. It was late in the evening, at about 17:30 P.M. that the plane had entered Indian airspace. The hijackers had demanded from Captain Sharan that the aircraft be taken to Lahore. They reached overhead Lahore when it was night and dark and they were low on fuel. However, the authorities in Pakistan had turned off all lights at Lahore airport as Pakistan didn’t want to get involved with the terrorists and the hijackers. Captian Sharan had told the hijackers that the plane was now really low on fuel and had to land at Amritsar. And, that’s why Karan and his team were on their way to Amritsar. The country held its breath. Luck didn’t appear to be on the hijackers side. Now that the Flight IC 814 had landed at Amritsar, there was a chance that Indians would be able to stop the flight taking off further. The Crisis Management Group had had an emergency meeting in Delhi and it was decided to refuse the aircraft’s request for refueling. Decision had been taken to immobilise the plane.

The MI-8 helicopter carrying them to Amritsar was taking much more time than they had planned. This was one occasion when the entire country was waiting for them. Karan thought of giving the country a beautiful Christmas gift: rescuing the hostages without a single casualty and apprehending the hijackers. He was fully alert and so were his men. With a large sketch of the aircraft he was giving instructions to his men about how to storm the aircraft.

He knew that the Punjab Police won’t be able to do anything. He wanted the negotiating team to buy time till the time he and his team landed at a heli pad nearby and then were taken to the airport. The CMG had meanwhile instructed the Punjab Police to have a sharp shooter immobilise the aircraft by shooting at its tyres.

It was becoming extremely difficult at the Amritsar ATC not to heed the request of the hijackers for refueling the aircraft. They were already threatening to shoot one passenger at a time. All that the ATC could do was to tell the hijackers that the fuel was being arranged since there was no earlier requirement and hence provision for night-fueling at Amritsar. Every five minutes of else the hijackers would boom, “Aur kitna time lagega? Hum passengers ko shoot karne waale hain.” (How long more it would take. We are ready to shoot the passengers).

The pilot of the MI 8 was signaling to Karan that they were landing. All the men and their weapons and ammunition were promptly put in a vehicle and they were on their way to Raja Sansi Airport. He was receiving continuous instructions on his walkie-talkie about storming the aircraft through the fuel-tanker that was being sent to refuel the aircraft.

At the ATC, there were overalls waiting for them, the ones usually worn by the air fueling teams. These included red helmets. He squeezed in the seat besides the driver. Two other Black Cats squeezed in the cabin whereas others were hanging on the side, with slings and hooks,  not visible from the aircraft.

As the tanker sped towards the aircraft, Karan thought of the glorious moment. Once the refueling started and he and his team of intrepid commandos hid in the belly of the aircraft, half the rescue work would be over. The other half would be when they’d cut their way upwards from the belly and storm the aircraft at least at two places to take the hijackers off guard. The team at ATC told them that they were able to establish that there were 3 to 5 hijackers on board.

But, why was the tanker driver going so fast? Before Karan could tell the driver to slow down, the ATC on his radio set asked him to slow down. This was quite a sight: at one end of the runway was this Airbus 300 aircraft seemingly ready to take off. From the other end a speeding fuel tanker was approaching it. Karan felt that the tanker was still going too fast. His boys needed time to carry out their plan. Also, speed was not particularly suitable for hanging at the back of the tanker for dear life.

Already, from the voice at the ATC, Karan could make out that a lot of rethinking was going on. He won’t have been surprised if the CMG from Delhi was busy passing instructions by the minute. Why couldn’t they simply trust that the NSG, with its motto ‘Sarvatra Sarvottam Surakhsha’ or ‘Best Protection All Round’ would be able to do its job well? They were highly trained for just these kind of contingencies. A fledgling organisation like the NSG needed such high risk operations to earn and build on its fierce reputation, Karan thought. But,  firstly, they had reached very late and the patience of the hijackers was at its lowest. Secondly, still there were doubts about the success of the venture.

To his utter frustration the ATC asked the tanker to slow down further. It was as if the tanker was now being remotely controlled. Karan thought the driver got panicky and instead of lifting his foot slightly from the accelerator, he screeched to a halt.

Sensing that the Indians were up to some tricks, in the aircraft, a Hijacker who called himself Doctor stabbed a passenger called Rupen Katyal several times. Captain Sharan was given orders to take off despite further protests from the ATC.

Suddenly, Karan and his team saw the aircraft coming towards them and even when they ducked for cover the Flight IC 814 took off. It was so close, it could have hit the tanker and they would have all died.

Finally, Flight IC 814, with hijackers on board, had taken off without refueling but also without the Indian authorities having been able to stop it.

As Karan up-righted himself, he wanted to ask the driver why did he panic and screech to a stop when all that he was being asked was to slow down? This one act had warned the hijackers that there was something amiss about the tanker approaching. It was as if the driver had somehow managed to warn the hijackers about the impending storming of the aircraft by the Black Cats.

He turned towards the driver. One look and even through his beard he recognised him: Haneef Mohammad, his father. He couldn’t control himself and muttered under his breath: “Bastard.” His eyes had extreme hatred in them for seeing his father after years but seeing him as a helper of the terrorists, as an enemy who would always be on the other side.

The driver heard the word ‘bastard’, saw the look of hatred in the eyes of the young commando, opened the door and jumped out of the tanker. Karan jumped out of his seat at his end. Whilst jumping out he had his Browning 9 mm pistol out. Haneef had started running now. He was still trying to figure out as to how did this young man guess about his having warned the hijackers by his suddenly stopping the tanker. Surely, everyone else would have taken it as justifiable confusion on the part of the driver.

Karan shouted, “Stop” but Haneef kept running.
Karan shouted again, “Stop or I’d shoot.”

Still Haneef kept running. Karan now aimed low so as to injure Haneef in the leg and stop him. But, at this juncture Haneef slipped and whilst falling forward the 9 mm bullet hit him in the back.

By the time Karan caught up with him, Haneef was breathing his last and there was blood everywhere. He turned him around to face him. He was still very handsome. He wanted to save him and call him “Papa” or “Dad”; but, it was already too late.

Later, they took him away. The only regret Karan would always have was that his mother saved Haneef and gave him love and now he, Karan, his son, killed him. He had to kill him.

“Why did you have to run away?” he silently asked, thinking of Haneef at night, “Why couldn’t you live with us as a family, in love, in trust, and in peace?”

हर तरफ तेरा जलवा

फिर मुझे पुकारा है…..
तेरी चाहत ने, तेरी आहट ने
तेरी आवाज़ ने, दिल के साज़ ने
तेरी धड़कन ने, तेरी उलझन ने
तेरी साँसों ने, तेरे अश्कों ने
तेरी आँखों ने, तेरे होंठों ने
तेरे हाथों के गरम छूने ने
तेरी याद ने, तेरी हसरत ने
तेरे प्यार ने, तेरी उल्फत ने
तेरे दर्द ने, तेरे ज़ख़्म ने
तेरे हसीन ख्यालों के वहम ने
तेरी हंसी ने, तेरे रोने ने
मेरे ज़हन में तेरे होने ने
तेरी आँखों  की मधुर मुस्कान ने
तेरे दिल में उमढ़ते तूफ़ान ने
तेरी आहों ने, तेरी राहों ने,
मेरे आगोश में उलझी बाहों ने
तेरे लबों से थिरकते गीत ने,
जो मिल के बनाया उस अतीत ने
उन वादीयों ने जो हमारे संग बहकती थी
उस कोयल ने जो हमें देख चहकती थी
उन फूलों ने जिस में तेरे प्यार का रंग था
उन हवाओं ने जिनका हमें संग था
उन बातों ने जो कभी ना होती थी खत्म
उस अदा ने जिसने ढाया था मुझपे सितम
तेरी मस्ती ने, तेरी हस्ती ने,
तेरी गलियों ने, तेरी बसती ने
तेरी खुशबु ने, तेरे खवाब ने
ऐ मेरे चाँद, तेरी माहताब ने
हर तरफ शोर है, फुसफुसाहट है
हर तरफ  तेरे क़दमों की ही आहट है
मेरा बस एक ही सवाल तुझसे है रूबरू:
“किस की मैं सुनूँ और किस की ना सुनूँ?”

KILL ME, CARMEN

I stand still on a rock, my rock
And watch the roaring sea
Reaching out to me
To reclaim and drench my soul.
The sea is just the opposite of me:
Calm in its depths and clamorous outside.
I stare at the clouds
Both within and in the sky
As they change shapes and moods:
Now a king, then a horse
And finally a hatted witch
Alluring small kids
With her trickster candy floss.
I look at the light-house
Standing witness to and guiding
Ships and boats till miles
Through its white beams
Fading into barely discernible plumes.
I see the fishing boats
Returning from a crimson sunset
White gulls meandering around
Like bees on honey-pots.
I see the crabs camouflaged
And tentacled to the slippery rocks.
And then…
Through the salty atomized vapour
I see her; yes, her.
The hem of her long yellow dress
Playing wantonly with the wetness of the sea.
I see me, boyish and breathless
Walking beside her
To the small boat half buried in the sand.
We upright the boat
Drag it into the water
And whilst it still tosses, like my heart
I lift her up and put her on the seat
And yank me up to the seat opposite her
And row the boat
Into the fading evening twilight.
Resting my oars
I look into her eyes
Ah, those kohl eyes
Of the fiery gypsy

Pic courtesy: en.wikipedia.org

Who stole my heart and left me
To be with her affable Escamillo.
Like an oar less dingy
I pitch and am adrift at sea
Of my precocious desires;Wanting to live
And longing to die.
Kill me………Carmen.

CLOSED UP ON THE BRIDGE

Bridge is a very sacred place for the executive officers on a ship; this is the place from where the ship is controlled navigationally and to some extent for exercises and operations. At sea, Bridge is the place that is humming with activity. There is a swivel chair for the Commanding Officer; irrespective of the rank, he is called ‘the Captain’. If the Fleet staff is embarked, there would be another swivel chair for the Fleet Commander who is of the rank of a Rear Admiral.

The ship’s routine is divided into ‘Watches’; viz, Forenoon Watch, Afternoon Watch, Dog Watches, First Watch, Middle Watch, and Morning Watch. Each watch is of four hours duration (eg, 0800 to 1200 hrs is the Forenoon Watch) except for Dog Watches, which are of two hours each (First Dog and Last Dog) so that in a three-watch system (the normal system on board during peace time) people won’t be doing the same watches over and over again.

The one officer in whose charge the ship is at sea is called the OOW or the Officer of the Watch. He may have an assistant OOW with him, communication staff, navigation staff etc. The Bridge is invariably supported by an Operations Room, which is normally a few decks below, from where all the ship’s operations are controlled (sensors, weapons and operations with other consort ships, submarines, helicopters and aircraft).

A Bridge is to a ship, what cockpit is to an aircraft (Pic courtesy: ww2db.com)

Bridge (Contract Bridge), as you know, is also a cards game. People are as passionately involved with Bridge, the game, as, say, golfers are with clubs, balls and holes. Indeed, Bridge is one game that competes with Golf over the number of jokes about the game and the players and of course their spouses. As a young Lieutenant I served on a ship that had, by a curious coincidence, over a dozen officers (nearly the entire officer complement) passionate about the game Bridge; and that included the Commanding Officer. So, after our sea sorties, when we would return to harbour, we literally secured from one Bridge (the navigational Bridge) and closed up on the game of Bridge. We used to have as many as three foursomes in the wardroom.

On one such occasion, the Fleet Commander was embarked on a sister ship. We came alongside first on a naval berth in Cochin channel and the Fleet Commander’s ship was still a distance off from coming alongside our ship. It is customary for the Captain to receive the Fleet Commander’s ship but seeing that she would take some more time to make its approach, our CO suggested that we don’t waste any time in closing up on our other Bridge in the wardroom. In our foursome, I was partnering the Captain. The first two games went one each between our opponents and us. In the third game, we got very good cards, and between the Captain and I we arrived at a contract of Seven Hearts, a grand-slam. Captain had to play the hand and I was the dummy.

It was very exciting for us since it is not everyday that you bid and make a grand-slam. It required a great deal of concentration on the CO’s part; to make the bid at least two finesses were required, one each from the East and West players. In the meantime, there was an announcement from the gangway that the Fleet Commander’s ship was approaching and berthing party was required to close-up to assist that ship in coming alongside us. The announcement was clearly heard in the wardroom too but our Captain who had just made two tricks only with eleven more to go was in no mood to rush up on the quarterdeck to receive the Fleet Commander.

Bridge game in progress (pic courtesy: en.wikipedia.org)

Imagining that the CO might not have heard the announcement, the Officer of the Day (In harbour, usually, the ship is in charge of an OOD as opposed to OOW at sea) sent a sailor down to tell him about the Fleet Commander’s ship approaching. By this time the game and hence the CO had become very tense. It required a great deal of dexterity on his part to have made four tricks and the grand-slam was nowhere near sight. Sailors are not allowed to enter the wardroom and it was a steward who conveyed the message to the CO. CO told him to convey to the OOD that he was on his way to the quarterdeck.

Meanwhile, we could hear a series of announcements on the main broadcast about Fleet Commander’s ship making its approach, throwing heaving line and eventually passing berthing hawsers. The Captain was also very close now; he had successfully made ten tricks despite the East and the West players trying to make his efforts abortive.

The Assistant OOD came running down to the wardroom that a brow (gangway plank) between the two ships had been secured and the Fleet Commander’s Flag Lieutenant (the Navy equivalent of ADC) had sent a message that the Fleet Commander would be leaving for shore shortly; and, since he’d be crossing our ship to do so, not only that our CO should see him off (as is the custom) but, (seeing that our CO had made no attempt to receive his ship) the Fleet Commander had expressed a desire to see our CO.

The CO successfully made the eleventh trick and now a smile had started forming on his lips as he sighted the first grand-slam in our wardroom (the one that would, no doubt, be talked about for months). He dismissed the Asst. OOD with, “Just tell him I am on my way.”

As the CO made the next two tricks, we heard the four pips (quartermaster’s pipe being blown sharply four quick times) on the ship’s broadcast indicating that CO was required urgently as the Fleet Commander was crossing our quarterdeck.

He had triumph on his face for a job really well done in securing the thirteenth trick as he rushed up and back to the quarterdeck. This was an experience not to be missed. So as the CO went down to quarterdeck from the starboard (right) side, I rushed from the Port side.

He reached the quarterdeck, took in a glance the about-to-burst Fleet Commander, saluted him and said: “Very sorry, Sir; we were still closed up on the Bridge.”

I don’t know whether that bridged the gap between them or not but the Fleet Commander responded coldly, “In any case, it was nothing very important” and left the ship.

I am sure our Captain would have liked to tell him how important a Grand-Slam was to us.

ARMED FORCES AND THE INDIAN SOCIETY

Indian Armed Forces comprise the military services: Army, Navy, Air Force, and Coast Guard, supported by what is called as para-military forces: Assam Rifles and Special Frontier Force. As of 2010, the Indian Armed Forces have a combined strength of 1.32 million active personnel and 1.15 million reserve personnel. In addition there are 2.28 million paramilitary personnel making it one of the world’s largest military forces in the world in terms of personnel.

pic courtesy: sankalpindia.com

Except for sporadic incidents, like the spat the soldiers recently had with their superiors in Leh; or General VK Singh, the 24th Chief of the Army Staff, trying to sort out the civil-military relationship balance through the curious instrument of his dates of birth, by and large, the Indian public holds its armed forces in great esteem. Many of our countrymen privately fantasize about the armed forces taking over the governance of the country and instill some discipline and accountability in our civic life.

However, sadly, Indian society has lately emerged as the most self-serving and devoid-of-values societies in the world. The reason is that we are too many of us (Read India – Too Many People) and there are limited resources and opportunities, after all. We, therefore, push, fret, scream, take short-cuts and be rude in order to somehow get ahead of others (Read ‘We Are Like That Only). This sort of culture is anathema to the armed forces who largely follow the Chetwode code about one’s own needs, safety and comfort being the last priority in comparison to those of the nation and the service to which the armed forces personnel belong.

But, why is the Indian society in this deplorable condition? On the Republic Day, last year, I wrote an article: How Proud Should We Be of Indian Republic at 62? The article was very well received. Amongst other data concerning how the average Indian is deprived of a good and safe life, the article brought out that the rich, on the other hand, kept on becoming richer. The average Indian, therefore feels, with some justification, that all this has been at his or her expense.

Lets look at the well known figures: The richest ten Indians (with declared assets) enjoy 10 percent of the GDP of the country. The richest 50 Indians divide 30 percent of the GDP between themselves. Lets, for a minute, detach ourselves from the effect of this inequity on majority of Indians; and look at its effect on the armed forces. What is the fundamental duty of the armed forces? It is to uphold the Constitution, ie, as the preamble says, to secure Justice, Liberty, Equality and Fraternity for we, the people of India. Whilst performing this fundamental duty,  don’t they have a right to ask whose Justice, Liberty, Equality and Fraternity are they really securing. In the Navy, for example, one of the tasks that this fine service is asked to do is to secure the Sea Lanes of Communication (SLOCs) so that it would result in fulfilling these aims of the Constitution. But, doesn’t the Navy, in securing these SLOCs, willy-nilly end up serving the best interests of the rich and powerful only since the benefits don’t percolate down to the average Indian?

Don’t they deserve Justice, Equality, Liberty and Fraternity?

With this irrefutable (if I may say so) background, lets see the difference between the armed forces and the mercenaries; a mercenary is a person who takes part in an armed conflict, who is not a national or a party to the conflict, and is “motivated to take part in the hostilities essentially by the desire for private gain and, in fact, is promised, by or on behalf of a party to the conflict, material compensation substantially in excess of that promised or paid to combatants of similar ranks and functions in the armed forces of that Party”.

In short, the one who is not fighting for the country but for the interests of a few powerful people. Well, the armed forces of India, indirectly, are doing exactly what a mercenary does. However, they don’t get paid like mercenaries. So, to start with, if there is a chasm between the Indian society and the armed forces due to different mores, this chasm is increased by the armed forces serving only the rich and the influential and not being paid like others who serve the interests of the rich and the powerful. As an example, we just finished with the Indian Premiere League’s fifth jamboree. Do you think that an armed forces team would get as much as say the Kolkata Knight Riders (after winning the IPL final); in flushing out terrorists holed up in a house in Kashmir; an operation in which some of the team members would inevitably lose their lives?
Hence, if you are being used as a mercenary, why not get paid like one? The Indian Police is already paid like one; most of it underhand and most of it what the rich and powerful don’t mind paying.

At this stage, I am not getting into the raging issue of deteriorating civil-military relations. However, lets consider just one thing, which is that because of the civil government’s lack or inadequacy of good governance and foresight, the armed forces are increasingly being called upon to do what the civil government and the police should have been doing. At the same time, the civil government has a Nehruvian mindset to keep the armed forces as far away as possible from matters of governance. The two stands just don’t sound compatible.

The armed forces used to be shining examples of the righteous few in a society seeped in corruption. However, recently, there has been a number of incidents painting the armed forces too in the same colours. (For example, Adarsh Society, CWG, Corruption in Armed Forces and Public Morality). In an article titled ‘A Few Good Men Can Win the Battle of Morality’ in Tehelka, on 20 Nov 10, the very respected Lieutenant General Satish Nambiar, whom the government honoured with a Padma Vibhushan, brought out that the army has to get rid of the five-star culture that has resulted in the decline of moral values; “where lavish hospitality and expensive gifts are proffered to, and accepted with some alacrity by, senior officers and even their wives.”  My own observation, when I was in the navy, brings out that an average navy officer, up to the rank of Commodore, has just a few mementos in his drawing room collected from his visits to Kashmir, North East and abroad. However, as soon as this officer is promoted to the rank of a flag officer, his life-style suddenly undergoes a dramatic change. He and his wife develop expensive tastes, have in their houses rich curtains, paintings, air-conditioners, furniture and other display items. Most often that not, all parties held at home, are either fully paid for by the Mess or highly subsidized. Also, all visits to the club by him and family are on the house. People below their ranks jump to provide them with all luxuries and comforts of life in the hope that they, themselves, would also reach those exalted heights if they emerge as positive-minded officers. This five-star culture fuels the desire to have more and better and at least match the luxurious living style of the civilians, say, district collectors, ministers, industrialists and bureaucrats.

We have it now from a serving Army chief that there is a culture of cronyism in the army, especially at high levels. We also know it from him that a retired Army Lieutenant General offered to give him a bribe of Rupees Fourteen Crores for accepting sub-standard Tatra vehicles. What do these incidents tell you? You can’t be faulted with forming an impression that such things are not rare and isolated in the army; for, if these are rare, a very senior Lieutenant General won’t be so bold as to offer such a bribe. This indirectly means that earlier Army chiefs and senior officers have, perhaps, been accepting such bribes as matters of routine.

Armed forces in a democracy are both a part of society and also a bit isolated. Some of the charges brought out by Gen VK Singh have more or less confirmed that for at least some of the people in the army, the requirement to stand tall and righteous in comparison to the rot in the civil society, has not been given a high priority; and that, after years of disciplined service, they are vulnerable to similar greed and temptations as their civilian counterparts.

Therefore, the foremost requirement is not to hide behind a mistaken sense of loyalty and holier-than-thou virtue that some of the serving and especially retired armed forces officers have been doing (eg, “we in the armed forces are paragons of virtue and ethics. It is the civilians who need to be taken to task.” and “Gen VK Singh was fighting for correcting the civil-military relationship imbalance” and “Here was a General who was finally doing to politicians and bureaucrats what we as young officers had always dreamt to do but didn’t have the courage; and still we find fault with him” and “it is really idiotic to air dirty linen in public by people who don’t know anything”.

I think setting right the imbalance in civil-military relations and acknowledging armed forces’ contributions to well being and safety of Indian society would require a more focused approach than Gen Singh’s “I am honest and I have two dates of birth.”

Firstly, the armed forces have to decide whether they still want to be respected for being different and virtuous than the average civilian or not? In case the answer is ‘if you can’t beat them, join them’, then, they don’t have any right to feel hurt when civilians treat them at par with rest of the corrupt Indians.

Then, the government has to do some serious thinking about whether they require the armed forces or not as also under what circumstances and situations? Armed forces can’t be continually made to feel small in comparison to police, bureaucracy etc. They, finally, have to live in the same society.

Thirdly, since we have been using the armed forces as mercenaries, thought should be given to strengthening the hand of the average Indian so that whilst doing a thankless job, the armed forces would feel proud of safeguarding Indian interests and not the interests of a few, which indirectly, and without even realising it, they are doing now.

Fourthly, we have to make our society far more disciplined and upright than what it is now so that the armed forces are not isolated examples of virtue and inefficiency in a sea pool of corruption and indiscipline.

Rampant indiscipline in Indian society (pic courtesy: blogs.bettor.com)

Fifthly, it is high time we think in terms of police reforms, bureaucratic and  governmental reforms and ridding theses institutions of unabated corruption and inefficiency. In this way, the gap between the armed forces and their counterparts in police, bureaucracy and government would be reduced.

Centuries back, from amongst the Athenians, only those could become Hoplites or soldiers who would be rich enough to buy uniform, armour and arms. We have come a long way since then. People nowadays don’t join armed forces merely for the love of the country and pride in being a fauji. They are, nowadays, seriously questioning as to whether the government and the country values them or not. If they do, recent incidents have brought out that it isn’t apparent if anyone cares. A sad reflection on our society indeed.

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