No. 1 Beautiful Duet in Hindi Movies

Closest to My Heart

Lyrics with Preludes, Interludes and Coda

Prelude First

Prelude is so beautifully enacted by Nutan that it leaves me totally stunned. She is a woman. Earlier, in another Chand song she had teased him for being Anari (Naive): समझने वाले समझ गये हैं, न समझे, न समझे वो अनाड़ी हैं I Elsewhere, I had already brought out that this song is an extension of those emotions. NOW, she has suddenly understood that he isn’t Anari anymore and that this is the love of her life. The prelude with the notes of accordion starts with joyous feeling but with shyness (of her being a woman; those were not the days when women could express love openly) and the fear of the unknown. These are mixed feelings depicted in the prelude though you feel that probably the joy is more in focus than other emotions. He too has his doubts which are in prominence in the second part of the prelude. His doubts are naturally about his being poor and she being a millionaire’s daughter. At this juncture, let me tell you how confidence builds up for him as the song progresses. So at the end of the second stanza when he says the following (hats off to Shailendra for having thought of that), it doesn’t sound as a ridiculous boast:
सब कुछ हमारा, अब है तुम्हाराI

M1, M2, M3

Now for M1. The origin of this duet is: Seene se uthkar honthon pe aaya. Superb picturisation in words by Shailendra. The notes are indicating muted joy at the discovery of their love and at the next moment the awe of having moved into unknown (and as deep as the sea) territory.
And Shailendra’s lyrics seamlessly fit after M1:

क्यों बेखबर, यूँ खिंचीसी चली जा रही मैं (being physically also rowed by him)
ये कौनसे बन्धनों में बंधी जा रही मैं (deep and unknown territory; no earlier experience)
कुछ खो रहा है, कुछ मिल रहा है
ये बात क्या है, ये राज़ क्या है (the discovery of this secret)
कोई हमें बता दे, दिल की नज़र से

M2 is so typically S-J that if someone was to play this anywhere, without even knowing the song, you would say S-J. It is leading to second antara. It has to be magical; the sheer ecstasy of true love and perhaps a little intoxication too. The notes of M2 say it clearly. Listen to the entire song as an instrumental and you would know what I am saying. The words that follow have enormous meaning because of S-J’s M2 here. You are in another world even before he opens with:

हम खो चले, चाँद है या कोई जादूगर है
या, मदभरी, ये तुम्हारी नज़र का असर हैI

The third interlude or M3 is playful. I would hand it over to Hrishikesh Mukherjee more than to anyone else. Look at the words:

आकाश में, हो रहें हैं ये कैसे इशारे
क्या, देखकर, आज हैं इतने खुश चाँद-तारे

A lesser director would, at this stage, actually take you to the sky and the moon and the stars. Hrishikesh doesn’t let the focus shift from the lovers at all. You want to see the sky? Look into Raj Kapoor’s face. You want to see the moon? Look into Nutan’s eyes!

M3 superbly builds up to this excellent direction and cinematography (I had brought it up several times that S-J were the duo who took into account these aspects whilst composing and giving music to their songs.
Every which way you look at it, this is a perfect romantic duet.

Please enjoy: Dil ki nazar se..

I hope you liked my choice of Beautiful Duet #6.

Please await Beautiful Duet #7- Tasveer teri dil mein.

Zindagi or Jeevan Songs Series

I started this series on my Facebook group Yaad Kiya Dil Ne on 18 Oct 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.

I hope you liked my choice for Song #4 – Hai duniya usi ki in Zindagi or Jeevan Songs series. Let’s start with Song #5.

Song #5
Koi sagar dil ko behlata nahin
Theme-word: Zindagi ke aayine ko tod do, Is mein ab kuchh bhi nazar aata nahin

A Song Very Close to My Heart

Everyone knows that I am very fond of Shakeel Badayuni. This blog www.sunbyanyname.com has more posts on him than on any other person. I have always felt that the most memorable songs in Hindi movies were made by Shakeel-Naushad-Mohammad Rafi-Dilip Kumar together. And in this 1966 Abdul Rashid Kardar (the one person who gave a break to so many: Majrooh and Shakeel being two) and Dilip Kumar (yes, he is credited as co-director of the movie) movie Dil Diya Dard Liya, the quartet has some of their best songs:

• Koi sagar dil ko behlata nahin.
• Sawan aaye ya na aaye in Raag Sarang.
• Dilruba maine tere pyar mein kya kya na kiya (the title song).
• Guzre hain aaj ishq mein hum us mukaam se.
• Phir teri kahani yaad aayi.
• Rasiya tu bada bedardi.

I have given four songs with theme-word Zindagi or Jeevan so far and each one was carefully selected to give a new meaning for the theme-word. The first one is a declaration of what Jeevan is: Yeh jeevan hai, Is jeevan ka, Yehi hai yehi hai rang roop; Thodi khushiyan hain thode gham hain. The second one describes how the Zindagi of a nation depends upon the sacrifice of a soldier: Watan ki raah mein watan ke naujawan shaheed hon. The third is something that tells you that Zindagi is just one Raat: Aaj jaane ki zidd na karo. The fourth one is to do with the fact that you haven’t lived if you haven’t loved: Ye duniya usi ki zamana usi ka, Mohabbat mein jo ho gaya ho kisi ka.

This fifth song has one of the most beautiful, though sad, expressions by Shakeel: Zindagi ke aayine ko tod do, Is mein ab kuchh bhi nazar aata nahin. Naturally, this song is sung at a time when Love has gone sour.

Dil Diya Dard Liya

This 1966 AR Kardar movie was based upon Emily Brontë’s celebrated 1847 novel Wuthering Heights. As a boy Dilip Kumar is poor and hence Pran is forever ill treating him. However, Waheeda is in love with him. Later he grows up and the same situation continues. Once, he is thrown into the sea by Pran (so as to stop his and Waheeda’s love affair) after being beaten up and presumed dead. When he is rescued it is discovered that he is the prince of a kingdom. The dying king leaves everything to him.
He now returns to the place of his torture hoping for good news. However, by this time, Waheeda is betrothed to Rehman (she waited long for him) and that’s how he sings Songs #1, #3 and #4.

The Song

Ladies and gentlemen, please enjoy: Koi sagar dil ko behlata nahin…

कोई सागर दिल को बहलाता नहीं – २
बेखुदी में भी क़रार आता नहीं, कोई सागर …

मैं कोई पत्थर नहीं इनसान हूँ – २
कैसे कह दूँ ग़म से घबराता नहीं
कोई सागर …

कल तो सब थे कारवाँ के साथ साथ – २
आज कोई राह दिखलाता नहीं
कोई सागर …

ज़िंदगी के आइने को तोड़ दो – २
इसमें अब कुछ भी नज़र आता नहीं
कोई सागर …

I hope you enjoyed my choice for Song #5 in the series.

Please await Song #6 –  Tu pyar ka sagar hai.

Raat or Din Songs Series

I started this series on my Facebook group Yaad Kiya Dil Ne on 18 Aug 20. Since then, many other members have put up these songs. Here, I shall be giving you one of my own, per day.

This is the fifth song in the series. I hope you liked Song #4 – Tumhare nain dekh ke.

Song #5
Sab kuchh luta ke hosh mein aaye to kya kiya?
Theme-word: Din mein agar chirag jalaye to ky kiya

Lata Mangeshkar for Me

There are, of course, very good and even great male playback singers. However, I noticed this with me, from the days when I was a boy, that if a song has been sung (not a duet) by a male and her, I would instinctively want to listen to her. On her birthday, my Songs group has this collage:

Take, for example, the Munim song sung separately by Kishore Kumar and her: Jeevan ke safar mein rahi milte hain bichhud jaane ko. There is no doubt about the quality of singing of Kishore Kumar singing a song having a word he was passionate about: Rahi. However, I have listened to Lata version more than his. It is the same with Na yeh chand hoga na taare rahenge and Ye chand ye chandni phir kahan.

Hence, please forgive me that since these songs I am posting from my heart, I shall give you the Lata Mangeshkar version and not Talat Mahmood’s. In any case, the song is most apt for her.

Ek Saal 1957

This was a movie directed by Devendra Goel and starring Ashok Kumar and Madhubala in lead roles (similar to Howrah Bridge). However, unlike Howrah Bridge, there was no Chinese angle to the story.

Ashok Kumar is a con man in the movie. He is appointed by Madhubala’s father to pretend to be in love with her to make her dying days (Ek Saal was what doctors gave her) more pleasant. She, of course, starts actually loving him and then she discovers that he is her father’s manager.

The Talat Mahmood version of the song was a favourite with my father. He often used to sing it (like me, as a bathroom singer). However, as soon as I discovered Lata’s version and the state in which Madhubala found herself, I used to listen to it often and cry.

The Song

It was penned by Prem Dhawan (Shaheed songs and the unforgettable patriotic number Aye mere pyare watan tujh pe dil kurban.

It was composed by Ravi who excelled in songs depicting abject misery and sadness (eg, Lo aa gayi unki yaad woh nahin aaye).

Lyrics

लता वर्शन

न पूछो प्यार की हमने वो हक़ीक़त देखी
वफ़ा के नाम पे बिकती हुई उल्फ़त देखी
किसी ने लूट लिया और हमें ख़बर न हुई
खुली जो आँख तो बर्बाद मुहब्बत देखी

सब कुछ लुटा के होश में आए तो क्या किया
दिन में अगर चराग़ जलाए तो क्या किया

(मैं वो कली हूँ जो न बहारों में खिल सकी) -२
वो दिल हूँ जिसको प्यार की मंज़िल न मिल सकी
मंज़िल न मिल सकी
पत्थर पे हमने फूल चढ़ाए तो क्या किया

(जो मिल न सका प्यार ग़म की शाम तो मिले)-२
इक बेवफ़ा से प्यार का अंजाम तो मिले
(ऐ मौत जळ आ) -२ ज़रा आराम तो मिले
दो दिन ख़ुशी के देख न पाए तो क्या किया

Lyrics, for me, are the main thing in a song. So, even though I am not putting up Talat Mahmood version, you may want to look at the excellent lyrics:

तलत वर्शन

करते रहे ख़िज़ाँ से हम सौदा बहार का
बदला दिया तो क्या ये दिया उनके प्यार का

सब कुछ लुटा के होश में आये तो क्या किया? -२
दिन में अगर चराग़ जलाये तो क्या किया?
सब कुछ लुटा के होश में आये तो क्या किया? -२

हम बदनसीब प्यार की रुसवाई बन गये -२
ख़ुद ही लगा के आग तमाशाई बन गये,
तमाशाई बन गये
दामन से अब ये शोले बुझाये तो क्या किया?
दिन में अगर चराग़ जलाये तो क्या किया?
सब कुछ लुटा के होश में आये तो क्या किया? -२

ले-ले के हार फूलों के आई तो थी बहार -२
नज़रें उठाके हमने ही देखा न एक बार
देखा न एक बार
आँखों से अब ये परदे हटाये तो क्या किया?
दिन में अगर चराग़ जलाये तो क्या किया?
सब कुछ लुटा के होश में आये तो क्या किया? -२

My Own Poetry

I have given this to you a once or twice earlier. It is a favourite with me:

SULAGTE AANSU

वो लौटा रहें हैं मेरा सामान,
और जला रहे हैं सब कुछ,
मेरी आरज़ू है सितमगर
मेरे अश्क भी जला दें
ताके दिल के समुन्दर में
वो तूफ़ान फिर ना उभरे;
जो मरहले खड़े थे
उन्हें ठोकर से मिटा दें
काश हम ना होते वो ना होते,
और ये आरज़ू ना होती
तेरी आँखों में जो सरूर था
वो सरूर भी हटा दें
मैं भूल गया हूँ सब कुछ,
तेरे प्यार की नज़र में
मेरी कौन सी है मंजिल
मुझे कुछ तो अब पता दें
अब दिल न हो, प्यार ना हो,
और ना रहे उनकी यादें,
कोई उनसे जाके कह दे,
मेरी हस्ती ही मिटा दें

Please enjoy Lata Mangeshkar singing: Sab kuchh luta ke hosh mein aaye to kya kiya…

I hope you liked my choice of Song #5 in Raat or Din series.

Please await Song #6 – Raat ne kya kya khwab dikhaye.

Song #4
Hai duniya usi ki zamana usi ka
Theme-word: Usi ne hai loota maza zindagi ka and in the very last line! Satayega kya gham use zindagi ka.

Remembering Shammi Kapoor on His Birth Anniversary 21 Oct

Recently, I talked about the contribution of Kapoor family to Hindi cinema, which, thanks to their patronage was rid of the parochialism of Bengalis when the Hindi films industry was located in Calcutta. Indeed, Kapoors ensured that talent from all across the country was encouraged.
I told you about the three in the family: the doyen Prithviraj Kapoor and two out of three sons: Raj Kapoor and Shashi Kapoor who were awarded the highest in cinematic excellence: the Dadasaheb Phalke Award. And the third son who didn’t get the award was Shammi Kapoor, who really knew how to act!

He acted in all movies with bad names and yet he emerged as the paragon of gentlemanliness: Janwar, Budtameez, Junglee, Bluff Master and so on.

Kashmir Ki Kali

This 1964 Shakti Samanta movie was the debut film of Sharmila Tagore. There was tremendous chemistry between Sharmila and Sharmila and they both enacted their roles with passion: a poor flower girl in Srinagar and spoiled brat of a rich family respectively.
The movie owes its success not just to the romantic pair but also to the freshness of the songs created by SH Bihari, OP Nayyar, Mohammad Rafi and Asha Bhosle; indeed the freshness of the songs competed with the freshness of the songs and we had all kinds of songs too in the movie.

Shammi Kapoor and Mohammad Rafi

Mukesh became the singing voice of Raj Kapoor. Raj Kapoor gave some of his songs also to Manna Dey. However, Shammi Kapoor stuck with Mohammad Rafi. Hence, some of the best and most romantic songs of Mohammad Rafi are picturised on Shammi Kapoor.

This Song Theme

Many lyricists have penned words in this theme and I shall be giving you many such songs. Zindagi is to be measured by the scale of Love and then you realise that Zindagi pyar ki do chaar ghadi hoti hai, Chahe thodi hi ho yeh umr badi hoti hai. SH Bihari immortalised this theme with lyrics that are, if I may say so, extraordinary:

है दुनिया उसी की, ज़माना उसी का
मोहब्बत में जो हो गया हो किसी का

(लुटा जो मुसाफ़िर दिल के सफ़र में
है जन्नत यह दुनिया उसकी नज़र में) – २
उसी ने है लूटा मज़ा ज़िंदगी का
मोहब्बत में …

(है सजदे के काबिल हर वो दीवाना
के जो बन गया हो तसवीर-ए-जाना) – २
करो एह्तराम उस की दीवानगी का
मोहब्बत में …

(बर्बाद होना जिसकी अदा (???) हो
दर्द-ए-मोहब्बत जिसकी दवा हो) – २
सताएगा क्या ग़म उसे ज़िंदगी का
मोहब्बत में …

Enacting This Song

It is not just the lyrics. The song was immortalised by its outstanding composition (including Manohri’s saxophone), extremely passionate singing by Mohammad Rafi and its enactment in the bar by Rajiv (Shammi Kapoor), the saxophonist and the mustachioed Colonel. The entire effect is as if the lyrics, composition, singing and enacting gelled into one compact performance. No one can ever have enough of this song; it is like eating peanuts; you can’t have one!

My Own Poetry

Zindagi Mil Jayegi Dobara

बारिश कभी रुक जाए,
यकायक बरसते बरसते।
ज़ुबान कभी हो जाए खुश्क,
एक बूंद को तरसते तरसते।
दिल कभी खामोश हो जाए,
ऐसे ही धड़कते धड़कते।
नजरें बन जाएं पथरीली,
दो पल बहकते बहकते।
बादल अचानक छंट जाएं,
चमक के गरजते गरजते।
शमा बुझने को हो तैयार,
सारी रात लरजते लरजते।
आंखों की नमी हो जाए खत्म,
आंसूओं को झटकते झटकते।
मेरे कदम हो जाएं साकिन,
तेरी गलियों में भटकते भटकते।

The Song

Ladies and gentlemen, on Shammi Kapoor’s birth anniversary today, lets enjoy a song beautifully enacted by him on the lyrics of SH Bihari, composition of OP Nayyar, voice of Mohammad Rafi in the 1964 Shakti Samanta movie Kashmir Ki Kali: Hai duniya usi ki zamana usi ka…

I hope you enjoyed my choice for Song #4 in the series.

Please await Song #5 –  Koi sagar dil ko behlata nahin.

Song #9
Tumhaare nain dekh ke suna hai log jogi ho gaye
Theme-word: In italics in the Lyrics

Laying Bare My Soul

Today, after a long time, I am laying bare my soul in both Raat Or Din Songs Series and Beautiful Duets Series.

There are songs that are close to my heart. One is Shakeel – Naushad – Rafi ghazal Mere mehboob tujhe meri mohabbat ki kasam. The others are Hemant Kumar songs.

I have never put up Mere mehboob tujhe and I am very shy (reluctant) to put up Hemant Kumar songs. If you scan through my posts you’ll realise that I don’t easily put up Hemant Kumar.

Some of you have speculated about the reasons for my reluctance. Even I don’t know fully. Perhaps I feel that if I have to put up these songs close to my heart, the realm that I have built around them in my imagination would be shattered. Incidentally, it used to happen with seeing even videos of the songs close to my heart.

When I was in my late teens, I used to get this feeling in sleep that my soul is flying out of my body and visiting places, providing me aerial view of strange and unknown places. It was such a strong and real feeling that there were times when I tried to hold on to bed in the hope that somehow the soul won’t leave me alone in bed. However, it was beyond me and once I got used to being rid of my fears, I enjoyed the aerial journeys at night.

Our nearest neighbour in Dharamsala was the Chief Judicial Magistrate (CJM) and his family. Once, I disclosed about my nocturnal aerial journeys to his wife. She mentioned that this phenomenon with some people had been recorded in books and is related to the Astral. She, however, mentioned that the more people I shared it with, it would go away shortly. It lasted until a few years after I joined the Navy. So, it is perhaps registered in my mind that telling people about matters of my heart make their effect go away.

Some of you may like to comment on it.

Rahgir – The Movie

Rahgir literally means passer-by. Some of you may recall how Rahi is what Kishore Kumar depicted in his movies, trying to find the Meaning of Life. To give him due credit he made movies like Door Ka Rahi to satisfy an inner quest and not for commercial purposes.
It is perhaps a Bengali thing; this movie too was first made in Bengali (the 1963 Bengali movie Palatak). Rahgir too was about finding the Meaning of Life. It was a 1969 movie directed by Tarun Majumdar and starring his wife Sandhya Roy (presently a Trinamool Congress pillar) opposite Biswajeet Roy. Biswajeet Roy received critical acclaim for the movie and it is talked about that it is the finest role that he enacted.

The Song

It was penned by Gulzar and sung by Hemant Kumar on his own composition. I rate his rendition here as one of his finest. The song echoes in my mind all the way from my teenager days of having my soul taking nocturnal journeys.

The Lyrics

तुम्हारे नैन देख के
सुना है लोग जोगी हो गए
तुम्हारे नैन देख के
किसी की आँखे गयी
किसी की प्यास गयी
किसी को जान मिली
हमारी साँस गयी
तुम्हारे नैन देख के
सुना है लोग जोगी हो गए
तुम्हारे नैन देख के

दो नीली आँखे
दो नीली आँखे नीली आँखे
जैसे सपनों में खोई हुई है
यह नीली आँखे
यह नीली आंखे नीली आँखे
जैसे राते दो सोयी हुयी है
किसी को साथ मिला
किसी की बात चला
किसी का दिन बिता
हमारी रात चली
तुम्हारे नैन देख के
सुना है लोग जोगी हो गए
तुम्हारे नैन देख के

लोग कहते है कहते है
इन आँखों से साहिल बहते है
लोग लोग कहते है
इन झीलों में शायद
प्यासे दिल रहते है
तुम्हारी आँख लगे
तो रात सोती है
तुम्हारे जागते ही सावेर होती है
तुम्हारे नैन देख के
सुना है लोग जोगी हो गए
तुम्हारे नैन देख के.

My Own Poetry

MERI ZINDAGI AAPKI AANKHON TALE

आपकी आँखों में मुझे वह झलक मिल जाती है,
ज़िन्दगी दफ़अतन और हसीन हो जाती है I
लोग देखते हैं प्यार दिलरुबा की आँखों में,
मुझे तो सारी कायनात नज़र आ जाती है I
ये आँखें नहीं हैं मेरी ज़िन्दगी की रहनुमा हैं,
ज़िन्दगी के मायने यकीनी मुझे समझाती हैं I
कई बार सोचता हूँ कह दूँ इनसे मैं दिल की बात,
क्या कहूं हया मेरी आंखों में छलक जाती है I
सबेरे का सूरज इनकी पलकें खुलने का इशारा है,
रात का अँधेरा पलक झुकने पे ले आती हैं I
ज़िन्दगी में लाखों ग़म इधर उधर बिखरे हों तो क्या,
ज़िन्दगी के सारे ग़म इनकी लौ भुलाती हैं I
मुझे अब इनके सिवा कुछ और न चाहिए, रवि,
जन्नत – ऐ – खुदा खुद बा खुद मिल जाती है I

Please enjoy: Tumhare nain dekh ke suna hai log jogi ho gaye…

I hope you liked my choice of Song #4 in Raat or Din series.

Please await Song #5 – Sab khuchh luta ke hosh mein aaye.

Song #4
O neend na mujhako aaye

Hemant Kumar and Lata Mangeshkar

Some of the most memorable duets in Hindi movies have been sung by Hemant Kumar and Lata Mangeshkar. A few that come to your mind are: Aa neele gagan tale and Chhupa lo yun dil mein pyar mera.

There is an attribute of Hemant Kumar that is not to be seen (easily) in other singers: his singing (especially on his own compositions) immediately transports you to the world of the song.

Let me give you an example. Take Jaal song sung by him on SD Burman’s composition: Ye raat ye chandini phir kahan (loosely based on Raag Kafi). By the time Hemant da sings…

पेड़ों की शाखों पे सोई सोई चाँदनी
तेरे खयालों में खोई खोई चाँदनी
और थोड़ी देर में थक के लौट जाएगी
रात ये बहार की फिर कभी न आएगी
दो एक पल और है ये समा, सुन जा.

…you are already there! You want to hold on to the world of the song!
Lata, in any case, always has matching rendition.

Post Box 999

The movie by this fascinating name was released on 01 Jul 1958. It was a Ravindra Dave movie (two of his movies that you’d easily recall are Satta Bazaar (with that beautiful Hemant – Lata song: Tumhen yaad hoga kabhi hum mile the) and Dulha Dulhan (with another memorable song: Hamne tujhako pyar kiya hai jitna, Kaun karega itna).

If you recall, both the above movies that I picked up at random had songs composed by Kalyani Anandji and so was this song that I am posting now. It looks like KA were the MD of choice for Ravindra Dave.

The Song

This song was penned by PL Santoshi or Pyarelal Santoshi, composed by Kalyanji Anandji and sung by Hemant Kumar for Sunil Dutt and Lata Mangeshkar for Shakila.

PL Santoshi has been more famous as a Producer and Director than for his lyrics.

Look at the Lyrics:

हे: ओ नींद न मुझ को आए,
दिल मेर घबराए
चुप के चुप के, कोई आ के,
सोया प्यार जगाए
ल: ओ नींद …

हे: सोया हुआ सँसार है,
सोया हुआ सँसार
मैं जागूँ यहाँ,
तू जागे वहाँ,
एक दिल में दर्द दबाए

दो: ओ नींद …

ल: एक बीच में दीवार है,
एक बीच में दीवार
मैं तड़पूँ यहाँ,
तू तड़पे वहाँ,
हाय चैन जिया को नहीं आए

दो: ओ नींद …

हे: मैं हूँ यहाँ बेक़रार
तू है वहाँ बेक़रार
मैं गाऊँ यहाँ
तू गाये वहाँ
दिल को दिल बहलाए

दो: ओ नींद …

My Own Poetry

HUSN WAALON KO NA DIL DENA

नींद में आती हो तो नींद हो जाती है दूर,
ख्वाब बन के उठते हैं और हो जाते हैं चूर.
आज तक भूला नहीं है तेरी नज़रों का सरूर,
मैं मदहोश अब भी हूँ, मेरा ही है यह जुनून ओ फितूर.
मुन्तजिर हूँ आज रात मेरे घर आना ज़रूर,
रोशनी के लिए काफी है तेरे चेहरे का नूर.
तेरे इश्क से पहले ना थे हम यूं मजबूर,
तेरे इश्क के बाद हुए हैं अब बेहद्द मश्हूर.
माना हमारा घुट घुट के मरना भी नहीं मन्जूर,
यहाँ हम सज्दे में हैं वहाँ तुम हो मग्रूर.
या खुदा समझ गए तेरी दुनिया का दस्तूर,
कत्ल वह करते गए, ये भी मेरा ही था कसूर.

Please enjoy: O neend na mujhako aaye..

I hope you liked my choice of song for the Beautiful Duet #4.

Please await Beautiful Duet #5- Jhilmil sitaaron ka mausam hoga.